《How to Write Stories People Will Love》17. Create Interesting Dialogue
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If you struggle with dialogue, you're not alone. Writing good dialogue takes practice. Here are a few pointers to get you on your way...
Dialogue in a story needs to do one of the following:
1. Reveal plot details (can also reveal backstory, but be careful not to info-dump when doing so. It needs to sound like normal speech, not a history lesson.)
2. Reveal character personality
3. Entertain the reader (such as humor)
4. Advance the story in some way
Chit chat is boring in real life. Reading chit-chat in a story is even worse. If the dialogue doesn't fit any of the criteria above, then summarize it instead. For example, "He asked me about my dog before moseying off to his desk." Or, "She proceeded to fill me in on the details."
(See what I did there?) :-D
The problem with adverbs in dialogue is they are often used as a crutch for telling the reader what the character is feeling instead of showing us. Here's an example:
WITH ADVERB: "I can't help it," she said sadly.
WITHOUT: "I can't help it." She sniffled and swiped a tear away.
"Said" is one of those dialogue tags that many writers are afraid of overusing. The thing is, it's one of those "invisible" words that readers find easy to read through and not notice how often it's there. It'sgreat when you need to clarify who's talking without disrupting the flow of theconversation. Strong verbs stand out, which isn't necessarily a good thing whenyou want quick-moving banter. That said, don't go overboard and create robotic dialogue filled with he said / she said. It needs to be changed up. You can do this when you...
You don't always need dialogue tags. You can indicate who said what by incorporating character actions into the mix. Here's an example...
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"So what did you want to talk about?" Diane ripped open a sugar packet and sprinkled it into her coffee.
Lee cleared his throat. "I want a divorce."
Her hand stilled and her eyes snapped up to his. "Well that was abrupt."
"Yeah, well..." He rubbed the back of his neck. "You know subtlety is not my strong suit."
"No, it's not." Diane sighed.
If you're going to remember just one tip, remember this one. Read the dialogue aloud and listen to yourself. This is a powerful method to determine if it sounds natural or not. If your dialogue is forced, boring, or unrealistic, you're more likely to catch it this way.
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