《Sanders Sides Stuff I Guess》Why Ro And Re Weren't On Speaking Terms For A Bit
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Remus had been the one who'd made the liking Janus decision as Romulus when Janus was still Honesty, and there was only one Creativity.
Roman had been the one to make the liking Logan decision as Romulus.
So losing honesty would've hit Remus hard.
During one of their usual arguments it would have escalated to the point that Remus would've accidentally yelled, "Well you made us lose Honesty!" in retaliation to something Roman had said, and Roman would've been confused as Janus' eyes widened and he'd be the first to leave the room during the argument.
Remus would soon realize what he said and cover his mouth with his hands before whispering, "I never want to see you again," and then he'd leave.
The others would stay to comfort Roman as Virgil left to comfort Remus just to see Janus had beat him to it.
Virgil would just smile, knowing something he knew Janus wouldn't be able to bare tell Remus, and go to his room.
Roman and Remus would no longer be on speaking terms.
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All three of the great Greek Tragedians have written plays about the bloody chain of murder and revenge within the royal family of Argos. Yet theirs is in fact not a story of tragedy, but rather one of redemption. As they move from darkness to light, from rage to self-governance, from primitive ritual to civilized institution, their spirit of struggle and regeneration becomes an everlasting song of celebration to be heard throughout the ages. Forming a discourse set against the emergence of Athenian democracy out of a period of chaos and destruction, the Orestian plays are compelling stories of the tensions between our obligations to our families and the laws that bind us together as a society. In the beginning, we witness how a king’s decision to sacrifice his daughter and turn the tide of war inflicts lasting damage on his family, culminating in a terrible act of retribution. In the aftermath of regicide, we behold how a son must set out to avenge his father’s death by committing a most egregious sin. In the end, the sinner is tormented by supernatural powers that can never be appeased, but ultimately finds redemption and ends the curse on his house once and for all. Woven through all of this is the story of a friendship so close that it elevates itself to brotherhood - Where the blood of the covenant is shown to be indeed thicker than the water of the womb. In this very brief twelve-chapter modern rendition of the Orestian plays, I have chosen to place my focus mainly on the lives of the characters Orestes and his best friend Pylades. The chapters, each around 2000-2500 words, are split up evenly between them in first-person narrative. I hope that you will come to enjoy reading this heartwarming story, but more importantly, that you see how the conflicts portrayed in the story, whether human or institutional, are still much very relevant to our societies today. Note on Sources: The details of this story is very loosely based on The Oresteia by Aeschylus. And I mean very loosely. Other sources that I referenced for detail and inspiration are Mythology by Edith Hamilton, Electra by Sophocles, and Iphigenia in Tauris by Euripides. You may also find that I have quoted some of these works, and others (such as Shelley's Ozymondaeus), without citations (average of 1-2 such quotes per chapter). I did this because I do not have the ability to describe certain scenes nearly as well as some of those writers. If you read a particularly beautiful piece of prose here, chances are it's probably stolen lol. Also, I wrote this during the summer between my high school senior year and my college freshmen year. It was the summer of 2020, and being quarantined apparently gets my creative side out lol.
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