《Fuck Off | Slashers》Chapter Five -:- Hannibal
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As I walk down the crowded streets, my bag has a mask and I'm wearing my gloves. Wearing all black. Okay I'm kinda looking sketchy.
I then see a panicked man and accidentally bump into him.
"I'm sorry sir!" I say to him
"It's okay darling." He mutters, I then feel eyes on me, I look around and see nothing so I shake it off, "I must be going now!" He states walking off
"Wait!" I say alittle loud so he could hear "my names Allessia" I mutter to him
"Hannibal, now I really must be going!"
"Yeah me too, it was nice meeting you!"
As he walks off, I walk off as well in the opposite direction. Not knowing he was going to meet Michel and also spy on me.
I walk down many streets and ally's. Until I hear the voices of 3 men and a upset girl and a upset man. I look down to see two men holding the one man back as he's trying to get to his fiancé. I look at her and the other man has her pinned to the wall, I look at her stomach, she looks about 3 months maybe. I had a feeling, I'm like that. Mother instinct and all. Before he could do anything. I pull up my mask.
As I hit the first one, he stumbles back and the second guy let go of the defenseless guy and told man three to hold him. Guy two grabs me and throws me.
As I knock him down, he just lays there knocked out. He must of hit the concertante really hard but the first guy was back up.
I use a piece of fabric to wrap around his wrist he threw out trying to punch me. And I throw him knocking him out. The third guy threw the defenseless man to the side. The man rushed to his fiancé's side. To get her out of there. Making my voice sound different I yell out a "Get out of here, I can handle this!" And he nods taking his fiancée and unborn child out of here.
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As I take the third guy down. I grab my knife from my bag. And my gloves hands plummeted the knife into the first guys chest. Smirking at the outcome, he bleeds a lot I check his pulse. 'Dead, good' I then repeat with everyone of them. Once I'm done I'm covered in blood and it's starting to get dark, I lay a flower on each of them.
And then walk away to go home and get changed before picking up my daughter. She smiles at me, and I hug her then I put her in her car seat. She kissed my check and giggles.
I then get into the car and drive off, once I get home I see another car in the parking lot. And I get suspicious, so I look inside the car holding my daughters hand. There's no one inside. I walk to my house, Michael wouldn't let anyone In that could hurt me, right?
I walk inside the house to see the man I saw earlier in the house on the couch with Michel. I tell my daughter to go play upstairs. And she runs off.
"Michel, how do you know about Hannibal?" I question, he looks up and gives me a note.
"It say
"One of us?" I ask and he hands me another note.
"Oh okay" I mumble "so do you need a place to stay?" I ask
Oh that makes sense.
"Okay well I can show you a room you could stay in!" I say to him making him nod! I walk him upstairs to one of the rooms. I go to walk away!
"Thank you!" He says
"No problem Hannibal!" I laugh
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Please note: the Sexual Content tag is there due to a single brief plot-relevant scene, which has a warning at the beginning. For other details, read the full description below. Rating breakdown, since that should be public info: 5 x 5*, 2 x 4.5*, 1 x 0.5* During a blackout, a frail and ragged old woman stops to ask for a glass of water from a backyard barbecue party. Given a good supper instead, she looks around the group, and tells them, "Be who and what you truly are." Days later, seven of the people from the barbecue find themselves drawn into a trap laid by a pair of wizards and their accomplices, who kidnap them into a bubble reality. All seven, who have known each other all their lives, are informed that they are not in fact entirely human: they have active fae blood, due to a series of conditions culminating with the blessing of the elderly fae woman. The transformation into fae form comes as a shock: all seven, whether originally female or male, find themselves now unreasonably beautiful women. More urgent even than that, though, is their captivity. Getting back to the real world is a higher priority than this metamorphosis that rapidly begins to feel natural... but this is only the first step, as the diverse types of fae blood they carry begin to surface. With no resources except themselves, how can they escape this prison? If they succeed, how can they possibly reclaim their lives? Just how many other faelings have been kidnapped, anyway, and what happened to them? And is there a way to make sure that their captors never put anyone else through this? Back in the real world, Kayla, who learned long ago to trust her gut instincts, is absolutely certain that something is very wrong. The pattern in the list of missing friends is easy to spot, but makes no sense at all. Then a young woman turns up at the backyard gate who knows more than she should, and even though her explanation makes even less sense, every instinct tells Kayla that Riley is her only way to get them back. If they're not quite what they were, well, that's a bridge to cross later... Just a little note: I'm a big believer in endings that are upbeat but not candy-coated, and not a fan of grim-and-gritty or of glamorized violence. These are adults in a difficult situation. However, no one gets raped, and the physical violence is, all things considered, fairly minimal. There is some harassment, sexual and otherwise, and also some mild restraint and mild verbal abuse. Complicating factors are generally wizardly or fae in nature. If I need to warn you about gender in this being all over the map, some of it reality-based rather than fantasy-based, highly diverse sexuality, or that there is (especially later) some indirect fetish/BDSM imagery and honest character discussion, then you probably should just avoid everything I write. :-) Also available on Scribble Hub.
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