《MURDER IS AN ART | ✓》DARLING DON'T SAY GOODBYE●
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they said i killed you: my dear blue-veined beauty.
they said these hands of mine snuffed your life-that i plucked your lovely soul between my dirt-chipped fingers. they claim i'm your killer; you're a murderer! a filthy fucking murderer! they cry. their breaths reek with the rotten scent of damnation and flawed accusations. i know it's not truth but their voices ruin my withered guts. how could i have hurt you? you were more of a goddess than a girl when i met you and gods could never die.
how could i forget? pale skin like the soft evening glow of a moon; white flesh stolen from starlight. blue-veined like dying bluebells on crying mornings, blue-blooded like tearful hydrangeas under a water's lulling current. pale skinned, cresent boned, and milk scented. skin you could see through. skin you could dive through. skin that you could pierce through with one single unmerciful touch. lips. lips swollen as if rather than me a bee had kissed you; slowly and gently with the warmth of it's hum and bronze stinger. blooming and bursting at the seams like a tormented poppy. red and ripe like poisoned cola-a tang so bitter and unforgiving it leaves you wanting more.
i remember all of your bruises. they are timeless tethered pieces of art. like the love we made sprawled along those sheets. your wounds were like a map. one i'd follow to the ends of the earth. each island. each continent. each ocean. held a history of pain, love, struggle, and lost. tender bruises painted black and blue, but you didn't mind the pain. the pain didn't make you forget.
the pain didn't dwell on you like weeping willow. pain reminded you that you were real. that we were real. that this pain i've purposely caused in acts of small pillow-talk and pleasure was real and raw like bloody lips grazing the pavement of soft-scraped knuckles. but your scars were much more different, much older. like the echoing aftermaths of a defeated war. battle scars that told a story before you tore out all the pages with your razor-bladed knife. i gently counted the cratered scars upon your skin. you weren't perfection but i called you god. and i've kissed them a thousand times to let you know that even the purest on angels would take hell by its hands for you.
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but your dead. they said they found you; a dead goddess floating in ichorless water.
they said your death was painful. no peace to be found in the empty vessel of your body. the jaws of death sunk into your delicate flesh, as the last buzz of life-a saintly testament, your ode to our love lost amongst the ruined ripples of the creek.
they told me how you struggled: parchment lungs battling to breathe as someone held the thin vine of your neck under the heavy mercy of waters womb. struggling. you were struggling. your throat pillaged by burning water, fresh water bubbles rupturing inside your caved ribs. dying. you were dying. as if god couldn't hold to your dying breath, as is god couldn't hold on to the angle wing that is your life: tender, golden, light, and soft. your life snuffed by the devil's fingertips
they said I killed you. they called me evil. they said I took your life, that I wrapped my hands around your throat and pressed and pressed and pressed till oxygen became an illusion, till your eyes swelled out of rim of your sockets, irises glistening with weathered tears, all glassy red like rotting lillies wilting under a red moon
they said I killed, that I drowned you, I broke your neck, that I'm twisted, and that I'm sick, but the sick don't know love, the sick don't know love like I do, like you do, like we do. they don't know how love is a sickness: a sickness etched in my bones, the very veins of my tongue, the heart of my palms, in the core of my words.
they say i'm all these things and lock me up like i'm some sort of animal, delivering my death sentence like a cold heart on a silver plate. they think I deserve this. that death will tear me apart. they say the wicked don't cry, they say murderers don't weep, they say the evil don't pray, they say the rotten don't sleep but yet there's a crying ocean grasping my eyes, there's a stone in my chest weighing down every breath i take, there's a broken boy locked in the soul of a man, there a lover who has lost and lost again, but all they see is a bastard damn to his own river of tears.
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and i imagine it for a moment: a death by injection, a daring needle drawn by a devil in white. star-crossed poison crawling in my veins, a swimming pool of venom sinking in my gut numbing the nerves in my system until i reach blackened oblivion. i imagine it: a death by shock, i'm screaming as i'm dragged by jailers, their meaty fingers digging in my collar bones, leather restraints around my wrists, the hiss of electricity screeching in my ears, lightning crackling under my skin, stopping my heart with an unworthy whisper. i imagine it: death. the soul of a child, the mind of an adult, the pain of the growing youth. death and it's wilting innocence continuing the cycle of tragedy.
they give me no option other than to suffer.
so with my bed sheets woven like a spiders web, lost to time through silk, this life is no longer mine. they won't see an innocent man with the heart of a bee but rather a wasp caught in hive of lies. they won't see that death had taken you from me in such a god-forsaken world. but they will know death is cruel but nothing is more cruel than a unspoken goodbye.
dear you, i hope you can forgive me.
~art~
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[participant in the Royal Road Writathon challenge] The continent of Erdenia is in flux, nations large and small move to swallow their neighbors. Roving bands of marauders pillage the countryside, and the seas are choked with piracy. Against this backdrop upon the central island of Syroneika exists the Mercan League, an alliance of city states ruled by the Archon from his seat in the Capital, Merlabria. Yet all is not well beneath the surface. The Archon’s health is waning, while the House of Mercan appears on the verge of conflict. Both princes vie for the Archonship, with the aristocracy close behind looking to settle old scores. In the immediate west the Althai Federation is in a state of civil war, the conflict spilling over the border into the League, while nobles’ squabble over petty slights. In this time of growing conflict, the Archon has summoned the warlord of the southern frontier, bulwark against the horrors of the dark forest, and former Grand Scholar of the court. Behind the scenes pieces are in play, and the Scholar possesses numerous enemies, many still envious of his meteoric rise to power. A simple trip to the capital may be more than it appears. However, the branches of fate are fickle things, a single encounter could change the course of history. Or perhaps that is simply the will of fate, and nothing has changed at all, who could know? Could the meeting between a simple slave and a warlord truly be fate’s bough? And if so, where could that lead? Read this if you like: Army Building Rational Combat War and Strategy Gritty Violence in a Dark unforgiving world Realistic and engaging characters Medieval/Classical Economics and R&D Do not read if: Looking for OP MC (power gain is gradual) Last minute Deus Ex Machina moments Want Evil enemies who are evil just to be villains Can't stand Slow Development and extensive world building You can join the Discord here: Lineage Discord Channel Cover Art created by: Illusstation Check out their work: Illusstation's page Updates Monday-Thursday (Guaranteed) [more chapter releases per week are possible depending on buffer and as rewards for events I announce]
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Kellan Klein is an ordinary college student with an average, if traumatic and painful past. Everyone grows up grappling with depression and anxiety that seem to be genetic in a house with parents that, while loving, fight all the time and have weird ideas about what kids should and shouldn't do, right? Everyone deals with bullying, racism, judgement on their romantic inclinations and their family's economic status and just general shittiness, right? All of Kellan's friends sure did, and for all of them, entertaiment media were a welcome escape from their painful, dreary lives. After all, who wouldn't want to sail the seas with Monkey D. Luffy and the Strawhats, or help Meng Hao con increasingly powerful and influential people, or join Cecil Harvey and his friends on their weird journey to save the world, or make friends with Peter Parker while pretending to not know he was everyone's favorite wall-crawling superhero? Kellan certainly wanted to, and while he pursued college to seek out a career he saw himself enjoying, something felt inexplicably empty about his life. So when a decidely sinister force kidnaps him and the prettiest man he's ever seen saves his life and offers him his wildest dreams, Kellan becomes the shopkeeper of a mysterious, dimension hopping shop, complete with a system that helps him acquire items. abilities, materials, and other cool shit to stock it with, as well as some other neat perks. Will Kellan become a boring overpowered MC, like the kind from web fiction that he reads to sate his boredom? Will he keep his generally kind, sweet nature despite the shit he's gone through and will go through, or will he inexplicably become a scary, violent, irrational arrogant douchebag? Will he use his newfound abilities to explore the multiverse and improve the lives of himself and others, or will he become his own antithesis, a purely mercantile jerk obsessed with money and profit, with no concern for anything that doesn't help or hurt his business? Find out in The Curio Shoppe! Author's note: Please suggest possible setting he could visit in the comments. I'll gather ones i'm familiar with, and at the end of every arc, a poll will be held to decide the next location he visits. There will be polls for other purposes, and I might not always go with the poll winner if I feel one of the other options is more fun to read/write about. I will not use the settings of other RRL writers without their permission.Do not ask for that, unless the author in question gives permission. Most settings he visits will be slightly AU in some way or another, but please remind me if I drift too far from canon unintentionally or characterize a character wrongly. This work will eventually fit all tags I selected once he visits universes suited to those tags, so don't ask when or where a given tag is coming. I do not own the cover art, it belongs to Nicholas Belanger Thiel, and I will stop using it if he asks me to. Kellan doesn't look like the old man on the cover, though once he acquires a disguise-type ability he may occasionally use that appearance. The tapir, however, will be a thing, as despite looking like a failed attempt at an elephant, tapirs are cool and this dragon finds them to be kinda cute. The art, along with more of Nicholas's pieces, can be found at https://www.artstation.com/artwork/51bXz
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After hundreds of years traversing the vastness of interstellar space, the ship's artificial intelligence begins gestating frozen embryos. It will raise and educate the men and women who will colonize a new world. Unfortunately, the gestation chamber fails after only two children are birthed. With questions to homeworld requiring years for an answer, the AI is uncertain how to continue the mission as their destination looms closer. Meanwhile, alone on the ship, the two children grow into adults under the watchful eye of the AI and its robotic avatars. ------------ Release Dates Prologue — 2022 June 24 Chapter 1 — 2022 June 24 Chapter 2 — 2022 July 01 Chapter 3 — 2022 July 07 Chapter 4 — 2022 July 14 Chapter 5 — 2022 July 21 Chapter 6 — 2022 July 28 Epilogue — 2022 August 04 [end] STEM Puzzles — 2022 August 04 Copyright © 2021, Mark Wilkinson. All rights reserved. No part of this book shall be reproduced, stored in a retrieval system, or transmitted by any means, electronic, mechanical, psychic, copying, recording, or otherwise, without the written permission of the publisher. Published by MarkWilx, MarkWilx and the MarkWilx logo are trademarks owned by Mark Wilkinson. Cover image: Composition by Mark Wilkinson via Affinity Designer by Serif; background, “GOODS/ERS2 FIELD,” by Hubble Space Telescope; public domain; credits: NASA, ESA, R. Windhorst, S. Cohen, M. Mechtley, and M. Rutkowski (Arizona State University, Tempe), R. O’Connell (University of Virginia), P. McCarthy (Carnegie Observatories), N. Hathi (University of California, Riverside), R. Ryan (University of California, Davis), H. Yan (Ohio State University), and A. Koekemoer (Space Telescope Science Institute). Text: Title text is Edwardian Script by International Typeface Corporation. Header text is Myriad Pro (sans-serif) by Carol Twombly and Robert Slimbach, Adobe. Body text is Minion Pro (serif) by Robert Slimbach, Adobe; and Courier (fixed-width) by Howard “Bud” Kettler, IBM. Font appearance may vary in electronic presentations. Disclaimer: This is a work of fiction. The author does not imply an interpretation of, nor does he contest, the account of Adam & Eve contained in Genesis, The Holy Bible, which can be found at the website for the Church of Jesus Christ of Latter-Day Saints or other Christian faiths. He invites all to read and ponder this book of scripture, and to seek divine inspiration in discovering its teachings. Disclaimer: This book is also available for purchase as a DRM-free ePub or Mobi from Amazon Kindle, Apple Books, Barnes & Noble, Drive-Thru Fiction, Google Play, and Rakuten Kobo.
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The guide for aspiring fiction writers who want to improve, sharpen, review, and/or learn. Warning! This book encourages editing and contains many tips that often require revision. Practice makes perfect, and it's good to workout your mental muscles. The more you do now, the better your writing will be later (because you'll correct yourself *before* you get it on paper). If you think your writing is perfect or you're lazy or unwilling to try new shoes on your baby, just turn away now. You'll find this guide about as useful as hoarding frozen peas.
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