《I'm not psycho ~ Violate - Violet and Tate》This is Halloween p3
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Addie went to see her mother hours ago after hanging out with Violet and Tate
It was about 11:17pm now, Tate and Violet with their hands linked were walking home with Queen
"Do you want to make it as if you never raped my mum" Violet asked
Tate nodded but then looked confused
"Yes of course but I don't remember than happening?" He said making her smile
They opened the gate and through the door, Violet took queen off the Lead and let her run off and as soon as she did Tate pushed her up against the wall and their lips smashed together
Tate pulled away, tears down his face
"I have missed us so much..." Violet smiled and lifted his head up
"You don't have to miss it anymore..." she said grabbing his hand and leading him to the bedroom
Halloween is over
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Of Men and Dragons, Book 1
Book 1 is now available on Kindle, or in paperback/hardcover! You can buy it here! Jack crash-landed on a planet where the natives are seven-foot-tall carnivorous cat-lizards currently somewhere between stone and bronze age. The good news is the natives think the ship that crashed into their mountain is a dragon and are steering clear of it. The bad news is they just left one of their own as a sacrifice to appease the beast. No matter what Jack and his AI co-pilot decide, his life just got a lot more complicated... ATTENTION: This is soft sci-fi rather than hard sci-fi, hence why I chose that tag. For those of you unfamiliar with the distinction, here's what Wikipedia had to say. 1. It explores the "soft" sciences, and especially the social sciences (for example, anthropology, sociology, or psychology), rather than engineering or the "hard" sciences (for example, physics, astronomy, or chemistry). 2. It is not scientifically accurate or plausible; the opposite of hard science fiction. Soft science fiction of either type is often more concerned with character and speculative societies, rather than speculative science or engineering. The term first appeared in the late 1970s and is attributed to Australian literary scholar Peter Nicholls.
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