《The Shards of Sylvia's Soul》The Hollow boy
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“There was once a boy, eight years of age and quick on his feet as only a child can be. He was an obedient boy, for he feared his parents as only a child could fear. He was also an inquisitive boy, curious as any child is. When he was done with his chores, he roamed the woods. He stayed out all day, until the sun disappeared behind the mountains in the west. Every day, he explored a little further, finding a new tree, a new stone, and a new bird.
One day, the boy found not a tree, but the absence of trees. He found not a stone, but the foot of a mountain. He found not a bird, but a trail of paw prints. They were like nothing he had ever seen before. They were not the prints of a deer, for they had more than two toes. They were not the prints of a dog, for they had more than four toes. Counting five toes and claws on each print, he concluded it must be a bear.
The boy had never seen a bear before. Curious, he followed the prints along the edge of the woods. He walked all afternoon, following the trail. At its end, he found a large and hairy beast. A bear was walking up the side of the mountain. On its head sat a blackbird, bobbing up and down with every step.
Curious, the boy left the shade of the trees. He looked up and saw that the bear had stopped. Two pairs of dark beady eyes looked back at him. Frightened by the sight, the boy ran back into the woods. He ran along the big paw prints, all the way back to the road. Standing on the cobbles, he realised that it was getting dark. Good thing the prints had led him back here, the boy thought. It was not far now. Hurrying along the road, he made it home before sunset.
When the boy opened the door to his home, he could hear his mother’s voice. She was in the kitchen, but she was not cooking the evening meal. She was sitting at the table and crying bitter tears. His father was sitting there as well, a grim frown on his face.
“What is wrong?”, the boy asked.
“Nothing, Boy. Not a thing. Do not ask”, his father said.
His mother shook her head. She wiped her tears and got to cooking. She brought out cheese and salted meat. She made soup, and sweet rice for desert. She served her boy all the delights they could afford. She encouraged him to eat as much as he wanted, but she took none for herself.
When the boy was full and tired, he went to bed, but he could not sleep. His mother was crying bitter tears again. He could hear it through the walls. He lay in the dark room, listening and wondering. Why was she crying? He had been told not to ask, so he did not.
When the moon hung high in the sky, the door to the boy’s room opened. His father entered with a lantern in hand. He was dressed in boots and coat, and helped his boy to dress as well. Wrapped in warm clothes, they walked outside.
“We are not supposed to go outside at night”, the boy pointed out.
“We have to”, his father said.
“Where are we going?”, the boy asked.
“Forward. Do not ask”, his father responded.
The boy walked into the dark woods, hand in hand with his father. When the light of the lantern grew dim, they stopped. The boy’s father dug in the pockets of his coat and brought out a large bear tooth, strung onto a cord of leather. He tied it around the boy’s neck and pointed into the darkness.
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“Keep walking”, he said.
“Where am I headed?”, the boy asked.
“Forward. Do not look back. Never look back”, his father answered.
Not sure that he understood, the obedient boy walked out of the shine of his father’s lamp. At first, he stumbled over the uneven ground, the rocks and roots, but he learned quick. Soon, he walked though the dark on the same fleet feet as he did in the light of day.
When the boy had walked for a while, he looked around. There was no sign of his father’s lamp.
“Father?”, he called.
There was nothing but silent trees around him. Fear crept into him.
“Father?!”, the boy called.
Only the echo of his own voice answered him. His heartbeat quickened.
“Father?!”, the boy cried.
“Shhh”, a voice hissed in his ear.
Fear clenched around the boy’s soul.
“Keep walking. You are almost there”, the voice whispered.
The boy looked around, but he could not see anyone, or anything.
“Come here, Boy”, the voice coaxed.
The boy turned around again, but there was no one there. He was all alone in the dark. Fear squeezed his soul harder. He ran. He ran through the darkness, stumbling over rock and root until he fell. He landed face first in the mud.
Laughter echoed through the trees. “Oh my, my, my.”
The boy sat up and realised that he was at the foot of the mountain. Before him lay the absence of trees. He had stumbled over the paw print of a bear.
In front of the boy, a dark figure separated from the surroundings. It stepped out of the shadows and revealed itself in the light of the full moon. It was an elegant man, draped in long silken robes. He wore chains and rings of gold. The many buttons on his white clothes were lined with crystals, each one glistening like a star.
“Come here. I know you are scared, but I will make sure you never feel this way again.”
The boy came to his feet and inched toward the edge of the woods. He placed one shaky leg in front of the other. When he stood by the very last tree, he hesitated.
The man reached up and removed the large hood of his cloak. He revealed a young and kind face. He bore the blue markings of the mountain folk, but he did not scowl or roar as they did. He was the most enchanting man the boy had ever seen. He was the master of the mountains. Holding out one moon pale hand, he smiled the softest smile the boy had ever seen.
“Come. Never fear again.”
The boy left the woods and took the master’s cold hand. In that single touch, his fear melted from his soul like ice in spring. He felt no fear of the stranger, of the night, or of the lack of trees. The boy walked up the side of the mountain, hand in hand with the master.
They walked to the very top of the mountain, and then down into a valley, before climbing anew, until they reached a large house nestled into the rocks. Around the house lay lush fields. In one field, a blackbird rested its wings. In another, a bear was sleeping.
The boy felt no fear. He let go of the master’s hand and walked toward the bear. It raised its mighty head. Two deep black eyes watched as the boy came closer. The bear felt the boy’s calm and remained equally so. The boy let his hands run through the thick fur of the bear, until it lay its head down again, and fell back asleep.
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When the boy turned around, the master was still standing on the road, one hand outstretched. Returning to him, the boy took his hand.
“You prefer the bear over the blackbird”, the master said.
“The blackbird is clever and fast, but the bear is strong and hardy”, the boy answered.
“It is, as you will be”, the master agreed.
The inside of the large house was even more magnificent than the outside. The floor was covered in thick carpets, and the walls were lined with tapestries. There were many rooms and corridors in the house. In the first room was a big vase, made entirely of pitch black stone. Behind it stood four statues.
The boy walked around the vase and peeked inside. He saw nothing within, not even air.
“What do you keep in it?”, he asked.
“The night”, the master answered.
The boy looked at the four statues next. They were bears, their mighty heads eternally turned toward the vase. On each of their heads rested a bird. The boy looked at each pair, inspecting the big stone teeth of the bears, and the vigilant eyes of the blackbirds.
“What are they doing?”, he asked.
“Protecting the night”, the master answered.
The next room contained large paintings. One painting depicted a man standing alongside a bear. He was tall and slender, and on his face were many blue markings. His clothes were as white as the moon.
“Who is he?”, the boy asked.
“He is me”, the master answered.
The boy inspected this painting for a long moment. The man in the picture had long pitch black hair, while the master of the mountains had short white hair.
“He does not look like you”, the boy observed.
“It was long ago”, the master said.
Another painting depicted a small and sturdy woman. Her face was also marked with blue symbols. Her clothes were bright and shimmering. On her shoulder sat a blackbird.
“Who is she?”, the boy asked.
“She is also me”, the master answered.
The boy looked at the painting again. The woman had short white hair as well, but this was the only trait she shared with the master of the mountains.
“She looks nothing like you, either”, the boy said.
“It was long ago”, the master repeated.
Leading the boy further into the house, the master sat him down to eat. He served the boy a beautiful meal of fresh meat and stewed vegetables. Then, he let the boy sleep in a large soft bed. Full and warm, the boy slept long and deep.
In the morning, the sun rose early over the tips of the mountains. The light woke the boy from peaceful dreams. He sat up and saw that he was in a small crude bed, in a small crude room. This was not where he had fallen asleep. He was sure of it. Bewildered, he got out of bed. His clothes were gone. Instead, he found fitted trousers, a tunic, and a cloak, all in black.
The boy tried the door, but found it locked. The window had no lock at all. Looking out, he saw a barren rocky landscape. There were no fields, and no animals, but there were people. They were all pale, grey, and lost. The boy banged his fists against the glass, but the figures outside did not hear him. Disheartened, he sat down on his small crude bed and waited.
Hours went by. Eventually, there was a knock on the door. The master of the mountains stepped into the room and the boy’s unease melted from his soul.
“Come”, the master said.
“Where are we going?”, the boy asked.
“I will teach you magic”, the master answered.
He led the boy through a long wooden corridor, into a small room with many shelves. The boy looked around at the many books and flasks. Then, he looked at the stone chair in the middle of the room. From the armrests and along the legs of the chair, hung straps of leather.
“Sit”, the master offered.
Feeling no fear, the obedient boy took a seat. He watched the master tie the leather straps around his arms and legs.
“Why the leather?”, the boy asked.
“So you do not fall out of the chair”, the master answered.
That made sense to the boy. He watched the master gather a few flasks, read from a book, and mix some liquids. Offering a flask to the boy, the master helped him drink. The brew smelled sweet. It tasted like honey and milk. Licking his lips, the boy asked for more, but the master shook his head.
The boy felt warm inside. Then, he felt hot. Then, he began to sweat. His stomach burned. He felt no fear, but he did feel pain. Looking up at the master, he saw the same soft smile, and so he smiled back. The master came to his side and crouched down. He met the boy’s eyes and raised a hand to the boy’s temple.
“Fear”, he whispered.
The boy screamed. He screamed so loud it echoed in the room. He screamed so loud, all of the grey figures heard it. He screamed so loud, his mother began to cry anew.
All the fear the boy had ever experienced burned through his soul at the same time, one worse than the last. He feared the mountains. He feared the neighbour’s dog. He feared the baker’s fire and the smith’s hammer. He feared the dark, and the night itself. He feared his mother’s tears and his father’s belt. He feared the bear and the blackbird. He feared pain. He feared to die. He feared his master’s soft gaze.
The boy’s soul strained in the cold grasp of terror. It groaned and creaked, and shattered like glass.
The master of the mountains held his hand high, his fingers splayed. He drew the shards of the boy’s soul out of his chest, one by one, until only a single slender sliver remained. The boy stopped breathing. His eyes turned white and his skin turned grey. The master smiled and untied the boy.
“Now you will never feel fear again”, he said softly.
It was true. The boy never felt fear again, and he never asked another question. Part of the night itself, the boy was not seen for many years.
One cold winter eve, the boy returned as a grown man, a wizard, no less. His parents greeted him back with great joy. They prepared his favourite meal, because they did not know that he no longer ate. They called him by his name, because they did not know that he had lost it. They asked about his magic, for they did not know of its terrible origin. They searched his eyes to see his soul, because they did not know that he had none. So they met their end at their hollow boy’s hand.”
Sylvia glanced up and found Afi sitting rigid at the other end of the bed. His hands were cupped together over his knees.
Afi met Sylvia's eyes and sighed. “Jeesh. That is not a very entertaining story.”
Sylvia nodded in agreement. “I would not expect anything more light-hearted from a book titled ‘The Hollow Boy’.”
Afi shrugged. “It is not like I knew the title when I bought it.”
He watched Sylvia for a long moment. Her lips were pressed together and her eyes were fixed on the book in her hands. She stared at it as though trying to intimidate the cover.
“Did it make you uncomfortable?”, Afi wondered.
“A little”, Sylvia admitted. “Do not have a nightmare now”, she teased.
Afi barked a laugh. “I could say the same to you.” Taking a calm breath, he added, “I hope you can still sleep after…well, after everything.”
“I can. I am not sure why, but I can. Maybe I am too cold-hearted.”
Before Afi could respond, Sylvia smiled and closed the book. Neatly placing it back on the bedside table, she rose to her feet. Truth be told, she knew she would have trouble sleeping. Not because of the events of the past days, but because of the book. It was merely a story, surely, but she could feel her soul shivering inside of her. The inaudible voice of the master of the mountains was echoing in her head, as though she had heard it for herself.
“Oh, my my my.”
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- In Serial20 Chapters
Sword System Academia
2/17 NOTICE: I'm putting this on hiatus, possibly permanently. I didn't want to spam with an "update chapter", so hopefully here and in the story blurb will get enough eyeballs. There are a couple reasons for ending SSA for now. 1) I wrote the next chapter but wasn't happy with it. I've been less and less satisfied with SSA's quality the more I thought about it. Part of the reason is... 2) I am seriously thinking about trying to publish some novels to help pay the bills, since I don't have my other source of income anymore. I have never asked for anything from SSA readers, no money, not even a review or rating. SSA is written for fun to amuse myself, primarily, and I would kind of feel bad actually charging someone money for something as unserious as that. I don't think it is good enough to ask anything in return. To use an analogy from music, SSA is more like a jam session with a bunch of friends. You're just chiling and having fun playing some music. I mean, if you are Mozart or even Eminem, your jam session is good enough to sell, but for an amateur beginner like myself, haha, no. If I want to publish something, I feel like I need to go the proper route of practice and rehearsals, which might be more similar to a classical concert performance. With SSA, I work from worldbuilding notes and a loose outline, but what you are essentially getting is the first draft with lots of so-called pantsing. Pushing out a web novel like this also means it is very difficult to go back and improve things without breaking everything else downstream. I wanted to try this "jamming" approach, as it was a good way to teach me about another aspect of writing, but to move forward, I think I need to hone my "classical" techniques, which emphasize rewriting, or at least, revising outlines. 3) While I intend to try to make $$$, my actual current goal is to "get gud". I've spent a lot of time recently trying to understand the self-publishing industry, and I'm pretty sure I can make some money by using short-term strategies with my current amateur skill level. But I've seen too many authors come and go/burnout, and really, the only way that I think I can enjoy writing and still make money on a long-term basis is to become a better writer. And the next step for me, which I haven't done much before, is to spend more time on rewriting and outlines. That is pretty much antithetical to the way SSA is developing. I've always been kind of 20/80 plotting/pantsing, but I want to spend a lot more time outlining before I even start writing. SSA jam sessions don't really fit my goal anymore. If you're curious about what's next, read on... Among other regrets, I regret not finishing SSA. It's the first story I've dropped, but then again, it's the first web novel I've attempted, so I suppose that's not a surprise. I don't think traditional web novel formats suit me that well. The whole SSA story I had loosely planned (beyond a first book or major arc) is way too large as well. Big story = good for neverending webnovel with Patreons, bad for penniless and fickle writer like me. I am currently outlining a complete trilogy to another story in great detail. I want the story to end concisely, and I also want the chance to really spend a lot of time on the full outline to spot pacing problems, character issues, lost themes, and so on. I'll still share this story on RR. What I intend to do is finish book 1, flash-publish the whole thing here for a few weeks, then publish on the big Zon. Repeat for books 2 and 3. The upcoming story will be about crafting heroes. The backdrop is an isekai-like setting, where elves will summon humans to their world as heroes, but the whole hero crafting business is still in its infancy. The elven mage researchers are figuring out how to imbue heroes with power, while the heroes are trying to figure out how to use the powers that they gain. Humans are the best hero templates because they are blank and have no intrinsic magic. Or at least that what the elves thought. The human MC has his own secrets... There will be some similarities with litrpgs, but I would call it more a progression fantasy or gamelit story. For example, the stats are very low, at least initially. Say we have a stat called Str. Going from Str = 1 to Str = 2 is a huge deal. Also, going from Dex = 0 to Dex = 1 is an even bigger deal. I guess you could call it a "low-stat litrpg", haha. Also, the heroes won't be gaining stats simply by killing things or leveling up. You can't increase stats arbitrarily, either. There will be rules to how stats can increase, and how they work with each other. The elven mages will be figuring out these rules in order to craft stronger and stronger heroes. Some inspiration will be from cultivation magic systems, but there won't be overt cultivation, at least for now. A theme I really want to explore is the idea of interactions. That includes things like hero crafter vs hero, tactics vs strategy, skill synergies, racial interactions (dwarves, elves, etc), and son. Yeah, so hero crafting. I'm super excited about this project and venturing into publishing. If you want to check out the upcoming story, you can follow my RR author profile to see when it drops here. Finally... THANK YOU TO EVERYONE! I'm very sorry that SSA is stopping, but I hope at least some of you will find the next story at least as enjoyable, if not more. Thanks to all the readers who gave SSA a shot. Big hug or solid fistbump to all of you, whichever you prefer! I hope this message is not a downer but an upper, because I am psyched!! -purlcray -------------- BLURB: Talen, youngest Master of the Koroi, makes his way to the Empire's capital to salvage his clan's fate. But the bustling city has few opportunities for the traditionalist. For the old sword clans are fading. With the rise of alchemy, gold can purchase strength that ordinarily took years of training to cultivate. Sword artists, once rare and accomplished, are quickly growing in number, especially among the wealthy noble class. Even with such alchemy, though, no one has advanced to the rank of Grandmaster in countless years. Talen's true dream is to walk the path of a sword artist to the very end while fulfilling his clan duties. And then the Swordgeists return, fabled founders of all sword arts, gods who had touched the world long ago and vanished. These myths turned into reality warn of a coming threat. Alongside this warning, they issue an invitation to the Sword System Academy, a path to power beyond the mortal realm. But first, they will hold an entrance exam... Story notes:Sword System Academia blends elements of western and asian fantasy such as xianxia and litrpg. I took parts from different genres I enjoyed and twisted them into my own creation. There will be an explicit system, both of the litrpg kind and the hard(ish) magic kind, but it is embedded within an academic structure that will develop over the course of the story. This is my attempt to design a unique type of system, the System Academia.
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