《Monastis Monestrum》Part 5, No Wall Stands Forever: The Dance
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“You’re still here,” I said to the machine when I saw it for the second time. It was imposing, sure, but I knew it, I knew what it was, and it didn’t hold any real mystery for me anymore. I didn’t need to fear a thing like that. It had already done its damage to me. “Just checking in, old buddy.” And when the mist began to flow from it, when the orb began to spin, and I stepped back in memory of when I used to be scared: “Yeah, I remember you too, bastard.”
-The memories of Karla Enok
The old watchtower
loudly from the dust. The cat on her bed let out a hiss of protest at the loud noise of Kamila returning the book to its place, and Kamila sighed in response. She walked over to the bed and reached out toward the cat, who rubbed its forehead against her palm. She scratched its ears and smiled down at it. “You got a name?” she said.
The cat, being a cat, did not tell Kamila its name.
“Yeah, I thought as much. I’ll call you Chaika. I feel like someone I used to know had a cat named Chaika. A long time ago…”
Outside, the sun was beginning to set. It was about time Kamila got some practice with her new blade. Wallshaker – that was a good name. with her hand resting on the hilt, she made her way to the door and outside.
In front of her lone-standing tower there was a quiet field of flowers, still bright in the face of the approaching cold. Kamila knew that soon they would wilt like the others, their bright color would be obscured by frost and then would fade into the earth again, not to emerge for many days. But still she deftly avoided tramping on any of them, careful to treat the plant-life with respect while she prepared to draw her sword.
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The forms were long-practiced and smooth. Though Kamila’s body was unfamiliar with the movements, and stiff, and she felt her joints crack from the exertion as she set her feet just so and her knees just so and readied her off hand for the blade’s hilt… Her mind was sharp and she knew what to do. She shifted into place perfectly and let her scabbard ring out like the opening note of a song as she drew the blade forth. Wallshaker hummed in her hands when she settled into the neutral stance. Right foot up. Twist right, pass blade right. Flat parallel to ground, point forward. Thrust: straighten arm, twist left, lunge with right foot forward, let left leg straighten behind. Strike like a viper. Recover: bend right elbow and grab hilt with both hands, sword up in block position, left knee bent ready to brace.
The theatrical artist in her wished to turn on her heel, a pirouette into a strike, but the warrior knew better. Instead Kamila took a wide step forward, swinging diagonally from the upper right to lower left of her frame of target. The heft of the sword already felt natural as she wove through the form. Down-strike, step, sway back. Thrust-up, step, block. Down-strike, step, sway back. Thrust-up, step, block. She was a cat stalking her prey, cornered, staring it down while she approached. It would search for an opening and, desperate, it would take the first chance it got, but it would not be enough. Side-thrust, twist, pin the enemy to the nearest post or wall. Twist the arm and pull the wrist back while tilted up so that the sword would come out easier, would slide past any bone more cleanly. Swing the sword away from yourself to remove the gore, then raise it to block again and turn to the next one.
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The sky grew darker and the air colder and still Kamila stepped through her forms, joyous in her dancer-like grace. She leapt and thrust and swiped about the field through form after form, until she had exhausted a tenth of all the forms she knew and came to a stop, breathing heavily. The body caught up with the mind and she fell on the ground, wiping the sweat from her brow so it wouldn’t run into her eyes and wishing she’d brought a jug of water out into the field with her.
After a time, she stood up, thinking to go to the market for a drink.
An insect, passing by, alighted on the back of her neck and bit her. It drank deep, for about half a second.
Kamila caught it in her hand, crushed it. Without so much as a scream of pain, without even the rudimentary memory of an unsentient thing dispersing into Kamila’s mind, the tiny creature fell to the ground and disappeared among the blades of grass.
She scowled in the direction of the marketplace and went back inside.
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Done For [Billy Hargrove]
"Two damaged people trying to heal each other is love." He mumbled.In which a boy that came from an abusive home fell in love with a girl who felt like home.#1 in Billy Hargrove (4/10/20)#1 in Netflix (6/1/20)#1 in Stranger Things (6/6/20)#1 in FanFiction (6/19/22)Started: July 26, 2019Completed: August 20, 2020Word Count: 43,126
8 172The Kodoku Game
In Japanese folklore, there once existed an ancient technique among alchemists for harvesting the strongest poison known to man. A poison so vicious, so horrendous, that a single drop could incapacitate an entire nation of humans, several times over. A poison so intense that a single drop could turn the tides of a war on its head. As potent as it appeared however, this poison could be harvested from the blood of a single insect alone- an insect the alchemist’s called the ‘Kodoku’. As lucrative as was attaining this poison however, the problem lied in identifying this insect- its appearance, shape and size changed from region to region and from continent to continent. Sometimes it took the appearance of a ladybug and other times a horned-beetle. In order to determine the identity of this special insect the alchemists came up with an ingenious method. They created an impregnable jar of clay out of the best sandstone they could find and placed hundreds of different insects into the same jar. The jar was made with such great mastery that it allowed no insects to escape and allowed no objects to enter. The laws of nature dictated that the insects would remain together in the jar forever. However, it turned out that as time went on, the insects’ hunger for food and power caused them to turn against each other- one insect ate another until only one remained. This sole insect contained a poison that far surpassed that of all the others and became stronger as it ate more and more insects. The alchemists at this point had succeeded in identifying the Kodoku and could extract it’s poison as long as they continued to feed it regularly. Although this folklore ends here, the actual story does not. One day, as the alchemists cheered in joy of having identified the Kodoku they so eagerly wanted, they forgot to close the lid on the very jar that was considered to be completely impregnable. This small gap was just large enough for the Kodoku inside to crawl out. Famished from not having been fed for weeks, the Kodoku ended up eating the very alchemists that nourished its growth until not even the bones remained. Yet, the Kodoku’s hunger didn’t seem to subside in the slightest. So it traveled to the next village and began eating whatever it could find there. Its poison made it unparalleled in strength and slowly but surely it began to dwindle down the population of the entire city. Yet its hunger only continued to grow. So it traveled to the next city over and ate all it could there. Very soon, the Kodoku couldn’t find any more food to eat. There was no one left to eat and no one left to spectate. So it stood there, by itself pondering what possibly was left to eat that could satiate its hunger. But there was one thing left that Kodoku realized it had never eaten. Itself.
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