Well, we've all heard it before. Show, don't tell. Hell, even Elsa from Frozen 2 is a proud supporter of this concept. After all, she sings Show Yourself, not Tell Yourself.

In fact, now that I think about it, that song is such a fantastic example of showing instead of telling.

I am nervous. [telling]

Every inch of me is trembling, but not from the cold. [showing]

Wow. Well done, Elsa.

Anyways, I digress. Let's get back to the main point.

Everyone says showing is better than telling. Most of the time, I agree with that notion. But why? Why do reviewers always go on and on and on about it? What's the big deal? They both get the same thing across -- why is one better than the other?

Well, here is why showing is better than telling:

- . By showing, the readers are brought into the action. They can envision it more clearly, and they can empathise with it.

- When a character simply says 'they are angry', they sound rather childish and two-dimensional. Also, by being more subtle about characterisation and having characters respond differently even though they are feeling the same emotion, it allows you to show the reader how they are distinct from one another.

- Showing requires more detail, and this detail can gear your readers to see a scene a certain way. For example, 'the house was creepy'-- if you include gothic and ghostly imagery, the reader may feel like the house is haunted. By just saying 'the house was creepy', it doesn't feel nearly as convincing.

Those three reasons basically sum up why Elsa sings Show Yourself instead of Tell Yourself. While there are some instances where telling is more effective, I will discuss that a bit later.

But first, what exactly is showing instead of telling?

Let's use song lyrics again to help us out.

Rather than glossing over it, you make the reader feel it. You take them on the journey with you. You show them how they would feel. For example:

We went on a magic carpet ride. [telling]

We went soaring, tumbling, freewheeling through an endless diamond sky. [showing]

The latter is more visual. We see the tumbling, the soaring. We see the diamond sky. We feel like we are there with the characters.

By describing something a certain way, you depict it in a way that is unique to you and your story. You can show the depth of certain emotions, and it can add style and tone to your writing. You can do this by adding figurative language.

It was an old story dated back to 600BC. [telling]

It was a tale as old as time, a tune as old as song. [showing]

Of course, if it's important for the reader to know that the story was released on that date, then do tell that. However, as shown in the example, it sounds more whimsical and less jarring when showed. It gives the reader an idea of how old it is without having to explicitly tell them.

Okay, so, authors can make some pretty controversial statements in their stories. And, if we really want to convince the reader of our point, then we're going to have to show it to them as our evidence. Like, if I'm going to tell my reader that life is like a highway, then I'm going to need to show them how it is like a highway.

Life is a highway. [telling]

Life's like a road that you travel on -- when there's one day here, and the next day gone. Sometimes you bend, sometimes you stand, sometimes you turn your back to the wind. [showing]

There. Case in point. Life is like a road that you travel on, and there's a lot of convincing description to tell me why that is the case.

... Am I... Am I taking these songs too far?

When the reader can feel the character's longing, their desires, their hopes... That is what makes them invested in the story. We love reading stories about characters we genuinely empathise with. That's why it's important to show us, rather than tell us, about your characters. Rhetorical question is great for this!

Moana really wanted to know how far she'll go. [telling]

See the light as it shines on the sea? It's blinding! But no one knows how deep it goes. And it seems like it's calling out to me, so come find me. And let me know what's beyond that line; will I cross that line? [showing]

Yes, I've definitely taken these songs too far. Anyways! As you can see, Moana really makes the reader empathise. She doesn't directly tell us that she wants to know how far she'll go, but she shows it to us -- she keeps asking us questions about the sea, she hears it calling out to her, and she's so fascinated by the whole premise of it.

Elsa is the queen of showing, and she'll show it to us again in just a second. But, basically, you want the reader to be there. You not only want them in on the action, but you want them to see and feel what the character is seeing and feeling. You want them to feel the mood of the setting -- whether it be gothic, enchanting, exciting, or dull.

No one was on the mountain. [telling]

The snow glows white on a mountain tonight -- not a footprint to be seen. [showing]

The second example gives a more prominent image of what Elsa is seeing and feeling.

if Disney (and/or Pixar, please don't make me go into movie politics) can do it, so can you!

But how do we do it? It's simple, really:

- . Why say 'walk' when you can say skip? Amble? Stomp? Stroll? Stumble?

-. Okay, sure, the house had walls. Green walls? Cracked walls? Bloodied walls? Spotless walls? Can you see how all of those walls lead to a completely different image? Why am I asking so many questions?

If you're going to say the house is creepy, what makes it creepy? What would we see? Hear? Smell? Feel? Taste, even though I'd prefer it if your characters weren't licking the cracked, green, bloodied walls?

If you want to depict a certain emotion from a certain character, they can show it through dialogue. Instead of "The readers were angry because Sunshine started singing Christmas carols in March", try:

"Sunshine!" the readers snapped. "For the love of Dancing Noodles, will you please just shut up?"

Didn't you say that telling can be good?

I did, indeed! Scandalous, indeed! But here are some instances where telling can be used effectively:

- Sometimes, authors like to say 'All she felt was pain' before launching into what that pain felt like. Or they describe the pain with vivid detail, and then go on to say, 'It bloody hurt like hell'. They do this to reinforce points, or to be more direct and blunt to catch the reader off-guard.

Sometimes, it's more fun to kickstart a story or a chapter with telling the reader a summary of the chapter to come. Let's imagine the story is about Elsa, who has suddenly decided she is in love with, um, Olaf. Some people would think it's hilarious to start the story with:

I think I want to make out with a snowman.

Yes, it's directly telling the reader. But that makes it more comedic, and sets up the rest of the chapter (which, by the way, I am not ever going to write).

Let's face it -- the reader does not want to see the entire commute on the train if nothing significant even happens on it. So, instead of showing the reader the process of brushing the teeth, eating breakfast, walking out the door, closing the door behind them, walking to the train station, fighting off a nearby passenger who looked like a chipmunk, and getting on the train before falling asleep while reading 101 Writing Tips, you can simply sum it up by saying:

After blowing a kiss to her parents-who-actually-exist-in-a-story-how-shocking, Asle rushed out the door and made her way to school.

The second she arrived, Falo waved her over.

It tells us very briefly that she made her way towards school, but you know what? It's probably better than watching her fight off chipmunk-man.

And that, my friends, is the chapter on showing instead of telling! I hope it was helpful, especially through the use of Disney songs. It was a very spontaneous decision, if I'm honest, but I figured it was time we stepped away from food (though, some would argue that Aladdin is a snack?).

did include those...

Yeah, let's not got there.

Anyways, stay tuned, but also let me know here what you think about love triangles! I want to hear all the perspectives! What are love triangles you've seen done well, and love triangles that have made you want to rip your hair out? (See how I said 'rip your hair out' instead of 'made you frustrated'? Showing, not telling!)