《Write Better: Tips and tricks》What is the right tense and pov?
Advertisement
Two common questions I encounter among new and unfinished stories are as follows:
Help! Should this story be in past or present tense?
I'm not sure if this sounds better in first or third person. What do you think?
And then included with question is the same blurb, with either verb tense or pov inserted.
[I know this isn't really an editing problem, this is a story composition one, but a lot of people ask so I thought I'd spend a chapter to discuss it.]
With the Rhino barreling towards me, I veer left and duck behind an alley dumpster. My pants are hotter than a sack of coals, but at least I'm safe.
(Present tense/first person)
VS
With the Rhino barreling towards me, I veered left and ducked behind an alley dumpster. My pants were hotter than a sack of coals, but at least I was safe.
(Past tense/first person)
VS
With the Rhino barreling towards him, Mark veered left and ducked behind an alley dumpster. His pants were hotter than a sack of coals, but at least he was safe.
(Past tense/third person)
***
Well, third person is easier to read. That's what I prefer, anyway.
I love first person stories.
That depends on what kind of a story it is. If it's a romance, I would say go with first person.
Choose whatever feels best/is easiest for you to write in.
Totally concrete and useful information for the author on the fence, right?
If you're just secretly looking for some support, you'll latch onto the answer you secretly wanted and claim validation and you may not even realize it. Sometimes people just ask things for praise (fishing for compliments), and sometimes they know the answer they want and just look for someone to agree with them. Justification and validation are important, and sometimes that's all we secretly want when we ask questions.
Advertisement
But,
You may not think you're telling the story any different, but you probably are. There are a whole lot of subtlities, and that's why you really can't just convert from one format to another.
If you don't know which POV to write in, just changing verb tense and/or pronouns is not going to help you. Sometimes you can get away with it, but it's often the case that different perspectives notice different things and the wise writer uses that to create a more authentic view point.
In first person, the reader experiences the journey alongside the narrator (directly inside their viewpoint). The First person (or third limited) narrator isn't usually God, so they're stuck with the information that they have. If they don't know that the flower on the window sill is a Crystalline Orbis or that Jason was only helping to retrieve the sword because of a debt his parents owed Susan's parents, sorry. You're out of luck. If you need to tell the reader this, you've got to use other methods to convey the info.
In third person omniscient, you get that extra leeway to give your reader information outside of what the limited/first person narrator can. Your narrator has access to all the world's information to dispense however they desire.
The same applies to tense. A scene written as it happens (present tense) notices different things than one written after the fact (past). If you're in the moment and a rhino is bearing down on you, you may not be thinking to describe your thoughts about your ex boyfriend or explain about the history of the zoo the rhino escaped from. For all you know, your lizard brain is on autopilot and it's telling you to look for escape, not for flower pots!
If it's in the past, you can take the time to elaborate or detail this or that because time doesn't matter in the same way it does in the now. Often, only the important details are conveyed in the past and in fewer quantity, because they're what you remember instead of a hundred tiny details, while in the present, you don't know what is useful and what isn't yet (because you don't know the end result).
Advertisement
There's all sorts of ways to manipulate POV and tense, like having a surviving character narrate in present tense even though it's already happened, but I felt it was important to give you guys some direction when you're writing your story. When you're trying to figure out what POV/tense to use, try to think about what is you're trying to convey. You want to think about things like detail and senses and descriptions and what's important to convey. Just changing He and I and adding "s" to verbs won't help you write that.
Ex. She to I; Present to pastReplay the scene in your imagination. Zoom the camera in so you're seeing, say, Frozen, through Elsa's eyes instead of the way it is now. What's different? What has to change?
***[Note: Third present doesn't occur very often outside of short stories, so we're leaving it untouched.]
Advertisement
- In Serial63 Chapters
What LITRPG There is Only Needlework [Hiatus]
The System has come to Earth, the world is changing status screens are appearing but... Sui can't bring herself to care about that. The most important thing, is that the blasted appocalypse is cutting into her sewing time. Of course... maybe if it can give her some new abilities and improve her work... she can forgive that. Join Sui "There is only Needlework" and the two people who are willing to put up with her insanity, Aife "warrior in the making" and Trina, the "Why would you ever think this was a good idea" in the present in What LITRPG There is Only NeedleworkStory Currently on Hiatus. Has not been abandoned, but more time is being dedicated to "D.E.M.O.N.S Getting Summoned Weekly Isn't So Bad" my other, and currently main story Cover by Creadfectus https://www.deviantart.com/creadfectus
8 109 - In Serial13 Chapters
Sources and Sorcery
What would you do if you were granted magic? Anna was an ordinary girl. Well, as ordinary as a girl living in an orphanage could hope to be. When she witnesses a murder, her whole world changes. Not only did the murder she witnesses involve a magical battle, but now it seems as if Anna has been granted magic herself.If that wasn’t enough for her to deal with, she now has a magical assassin chasing her as well as a sorcerer's council that believes she is the murderer. Can Anna escape the magic thief and convince the council that she’s innocent in the murder of one of the most powerful sorceresses of all time? Luckily for Anna, she has a lot of experience with running from her problems.
8 142 - In Serial28 Chapters
Ring of Sora
Book 4 of Universe Series The ordinary life of Lidda Kandell is forever changed when a handsome demi-god walks onto her college campus and pulls her into an epic battle between good and evil that spans the galaxy. She struggles to gain a better understanding of her new reality and connection to an ancient civilization. Will Lidda be able to make the sacrifice asked of her, to defeat ultimate evil? Is the humanity of one ordinary girl enough to stand against a rogue god who wields the power of a thousand worlds? Lidda must decide whom to trust and whom to love when her world is turned upside down.
8 235 - In Serial275 Chapters
Encounters Out There
Stories about first contact, aliens, space exploration and colonization, and beyond.
8 225 - In Serial22 Chapters
Fabrication
Welcome to the Winter Sector. This is your first time here, isn’t it? Waking up in the lands of snow with little to no thoughts of your past must be rough. Don’t worry, you aren’t alone. The vast plains of snow hold dominant around here, little to no bumps to be seen, no hills or craters. A white desert. Mountain ranges can be seen from afar. A forest somewhere down a cliff. Rare caverns here and there. Also, structures can be found abandoned. Going through these white lands is dangerous alone, perhaps get yourself a guide, or hold a map and a compass. But no matter how better you traverse, the abstracted distance would never change. If you had the unlucky start of waking up here, then let’s hope you find someone to give you clothes and shelter. The is beyond survivable. Unlike the other sectors, the Winter Sector doesn’t care to make things easy for newcomers. There are going to be tons of questions, most of which would be unanswered until you reach the end of the road. Unnatural things, abnormal dreams, anomalous scenes. This isn’t the world you were born in. Though it might look it, it won’t act like it.
8 254 - In Serial8 Chapters
Camp Camp ~ includes a new LGBT character :)
A new camper arrives at Camp Campbell and Max thinks the new camper seems to be here under suspicious circumstances. Max does some digging and pulls up this new camper's history with two other camps.I think it would be cool and amazing to have a transgender character in Camp Camp... this is just a cute idea I had one sleepless night. If you have any suggestions on what I should change or add let me know :)*Please know the image is not mine - the original artist can be found here https://funcdyscat.tumblr.com
8 179

