《Your Book Sucks and Here's Why》"Strong Female" Doesn't Mean Bitch
Advertisement
Girls. You either hate them, love them, or want to be them. You might want to date them, too.
But one thing is for sure: your female characters suck because they're all bitches.
Here are several things you do that you shouldn't when writing "strong female" characters:
1. . This coincides with physical appearance, beauty, etc. I have no problems with women owning their sexuality and dressing in a way that pleases them rather than their male counterparts. But when a female character is thrown haphazardly into a story seemingly simply for sex appeal, then I have a problem. This can be seen in almost any superhero movie, where the female is scantily clad and always has a full face of makeup on, no amount of physical endurance messing up her perfectly curled hair.
Is this inherently wrong? No, not at all! But if you're going to do this, tell me specifically it's because she's owning her body and her sexuality, not because you're trying to sell tickets to horny teenage boys under the guise of "feminism." I'm not trying to start a political fight or anything. All I'm saying is that women have so much more to offer the world than their bodies. Let me see a woman who is so confident in her role as a woman, she goes into battle or even to her desk job dressed exactly as the men. Then, when they comment about her presumed "masculinity," she says, "Sorry, I don't recall asking for your opinion."
She doesn't need a skin tight dress or the stares from every man in the office to know she's worth something and to feel empowered. I want to see a strong woman who earns the respect of her peers through effort, not because she won the genetic lottery. I want to see a strong woman break into top-secret facility because she is incredibly smart with technology, not because she was used as bait to seduce their arch nemesis into letting her in.
Advertisement
Women are people, too. Don't forget that.
2. This is very similar to the first point, in that your female characters have been curated simply as a love interest. Is having your female character play a role in a romance bad? Of course not. But when they have no real goals other than getting with said love interest, and all their thoughts are consumed with him/her, and their only real problems pertain to how annoying the love interest is or if he/she was talking to another girl, that's a problem.
Women are not afterthoughts. Do not treat us as such, not even in books. Women are complex. Sure, we want love, but that isn't all we want. Don't limit us in your narrative.
3. Your "strong female" character is really just a bitch. Writers honestly make women look so stupid and emotional, as though they have no sense at all. An example of this is in love triangles. There's the Main Girl, and she likes the Main Guy, but there's a Secondary Female character who also likes the Main Guy. Secondary Female exists only to try to tear apart Main Girl and Main Guy, and she acts like a bitch throughout the entire book for no apparent reason.
This is horrible. Girls can be mean, yes. But creating a woman in a story that is so ruled by her jealousy that she lashes out like a complete psychopath and makes her entire mission to ruin the happiness of two characters who've never lifted a finger against her? That's just insulting.
Another example is in werewolf books, where the Alpha Male is narcissistic and arrogant (of course), and he has all sorts of rules his pack must follow, presumably for their own safety (just a wild guess, seeing as he is responsible for them). Then, Main Girl decides that, because she is strong and independent and she follows her own rules, she's not going to listen to him. Then, when she gets berated, instead of standing up for/defending her position herself calmly yet unmovingly, she acts like a psycho bitch and immediately resorts to insulting him and all of his friends as though she is still a preteen that acts on emotional whims without any restraint.
Advertisement
Strong women don't give into petty bickering and name-calling. They don't pout and sulk when they don't get their way, and they don't let their rage cause them to throw temper tantrums because everything is just so unfair and they hate Alpha Male. Grow up. Strong women present their case, and if Alpha Male won't hear it, they seek to undermine him and elect someone who will. They do not do this because they want to get revenge or because he's irritating and they just want to make his life miserable.
Strong female characters attack the patriarchy because they're fighting for a real cause far surpassing petty grudges: their rights. Give women a real fight, and give them real goals that don't boil down to just creating conflict for the story. Then and only then will you have a truly well written female character.
Advertisement
- In Serial59 Chapters
The Survival of the Prince
"Life is an interesting thing, it brings us to interesting places, it whispers to us interesting tales, it shows us interesting paths, but one thing that life does not do is coddle us, and that in a sense makes it ever more so interesting" - an interested philosopher I hope you enjoy the story. [participant in the Royal Road Writathon challenge]
8 75 - In Serial8 Chapters
Traveleyan
Traveleya (more often referred to by her accomplice as "Miss Cleyne"), is an otherwise plain and ordinary twenty-seven year old woman in every aspect save one: she can see things that others can't, a skill that makes her an invaluable asset to one Millenia Eizenstrauss, a young necromancer with whom she works alongside unofficially. After taking on a particularly lucrative side-job as a courier for Lady Eizenstrauss, she is unwittingly (and often unwillingly) dragged into the strange noble-woman's odd occupation and becomes as essential to her work as Lady Eizenstrauss herself. Together the two make a potent team in solving supernatural cases that plague the haunted countrysides and decadent cityscapes of Svietsylvania, all with the help of Einen, the ghostly spirit of Millenia's departed brother who is bound to his sister's service.
8 100 - In Serial6 Chapters
Scar of Ifrit
Ifrit was once a world known for its magic and wonder, the fantastical beasts who inhabited its bountiful lands. That was before the people of Ifrit, understood how to harness the world's power. Though they could use the magic, they didn't yet know about the terrible effects magic casting would have on Ifrit. At the height of their power, everything came crashing down around them. A giant chasm opened up, splitting the planet in two. Daki was there when it happened. At an age too young to be alone, he was separated from his brother and the man who had rescued them both. Now it is up to him to find a way to reach the other side in order to meet up with them. He must find a way over, even if that means climbing down into the monster infested abyss.
8 70 - In Serial8 Chapters
Slugterra Episode 2
The World Beneath Our Feet - Part 2
8 116 - In Serial30 Chapters
All I Wanted {Book 1}
Meet Abigail Jenkins. She's sixteen. Smart, Funny, Pretty, And a good-girl. But, she's never had a boyfriend. Of course, if she hadn’t given her heart to her brother’s best friend, she might not be in this predicament. Opportunities for love long lasting had come and gone, due to her tunnel vision on the subject. At twelve years of age she’d decided that Nick Walker was the one. And that childish dream certainly had rooted deep and flourished with time.
8 231 - In Serial12 Chapters
Pennywise the Dad!
I decided to do this story because a lot of my friends say that I look like pennywise and that he's my dad(which i can see and okay with) and i thought if this story.There's a bit of a spoiler if you haven't read the book: Pennywise in his spider form gives birth to his off spring but finds out only 1 lived. Pennywise and all his horror friends all help raise his little clown baby and teach her how to use her powers. What could go wrong with horror villains who kill children trying to help raise an alien demonic shapeshifter clown baby spawn?
8 212

