《constant peril → d. dixon》s e v e n
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It was like her emotions had suddenly hit a dam. She so badly wanted to cry, to show her mourning for her departed brother but she just couldn't do it. Not until Glenn ran out to see if she was okay.
When she saw her friend, a crack appeared in her dam. Tears slipped through the crack and fell down her pale cheeks.
"Mais —" Glenn said, wrapping his arms around her upper body.
A sob shook her body and he held her tighter until she pushed away from his chest, swiping at her eyes.
She looked away from Glenn's worried eyes, choosing instead to look at Daryl as he exited the store, carrying all the supplies they'd gathered.
Maisie paid him no attention as he put the supplies in the trunk, until he thrusted a gun into her hands. It was Jonathan's, straight from the Walter Winters collection.
"We goin' or what?" The redneck asked bluntly.
With heavy hands, Maisie tucked the handgun into the waistband of her black jeans and fished the keys from her pocket. She held her hand out, the keys resting in her palm.
"One of you guys drive," she said quietly.
Exchanging a look with Daryl, Glenn lifted from the keys from her hand as she crawled into the backseat without another word.
-------
The drive back to Alexandria was quieter than a ride had ever been. Nobody wanted to talk, nobody wanted to address the elephant in the room: the feral blonde with the broken heart.
Daryl sat beside her, brooding and uncomfortable. He hated emotions. He wanted to say something nonetheless, but everything came out rude and abrasive inside his head. Instead, he glanced at her. With her hair pulled back, her profile was on display; her head was bent to hide her puffy red eyes and her hands were folded loosely in her lap.
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When Daryl looked at her, he saw Beth. He saw many similarities between the two, but while Beth made a mistake that she paid for with her life, Maisie didn't make mistakes. It wasn't that she was just a perfect human, it was that she had adapted far too well to this new world that mistakes were a lost concept to her.
He admired and respected that. But he'd never admit it.
-------
They reached the walled community as darkness began to fall. Usually Maisie found the approaching dusk to be beautiful, but not when she had her own darkness hanging over her head.
Emotionally exhausted, she walked back to Jonathan's house, dragging her feet as if to delay the impending doom that was the empty house.
She flinched when Glenn's hand touched the small of her back, guiding her to the house. He let go of her at the steps and she climbed them slowly, the backpack on her shoulders suddenly feeling like it was full of bricks.
"You sure you're gonna be okay?" Glenn asked, watching her stand still on the porch for a few minutes.
Maisie turned and gave him a small smile. It was all she could muster. "Yes."
"Alright, I believe you. Night, Mais."
"Night."
As she made her way into the empty house, Jackson jumping at her legs, one thing still nagged at her: she'd never gotten the chance to ask if her dad was alive.
-------
Maisie woke up when something soft hit the side of her face and shoulder. She opened her eyes and saw Glenn standing above her, holding a throw pillow. Ironic.
"Christ, Glenn, that's a throw pillow not a hit Maisie pillow," Maisie grumbled, sitting up and stretching her arms over her head.
"What're you doing here, Mais? More importantly, how did you get in here?" Glenn questioned, tossing the pillow at the other end of the couch.
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"Are you really surprised I can pick a lock?" Maisie yawned, pulling the elastic from her hair and massaging her crown briefly. "I'm sorry, Glenn, I just couldn't do it. I couldn't stay in that house."
"It's alright."
"I'm sure I'll be fine by tonight."
Glenn nodded, pulling her up from the couch and into a tight hug.
"I should go, Jack's probably going berserk," Maisie said, offering him a small smile. She bid him goodbye and left his house, squinting in the bright sun.
"I'm very sorry about your brother. Please, come to the chapel if you ever need to talk."
Maisie stopped walking. She didn't even know Alexandria had a chapel.
"Thanks, Father Gabriel," she said, barely glancing over her shoulder at the priest. As she continued her stride, an idea struck her and she turned around completely. "Wait, Father Gabriel, one more thing."
An hour later, Maisie worked to put her makeshift cross into the patch of grass the Alexandrians used as their graveyard. She had nothing to bury, but she knew damn well Jonathan deserved at least a cross. Sweat beaded on her forehead but she didn't care.
When she was done, she surveyed the graveyard, until a specific cross caught her eye. It was more ornate than the rest, with carvings running through the scrap wood's surface. She knew immediately Jonathan had made it. In fact, it looked like he'd made most of them. He'd always had a passion for wood carving, ever since he was thirteen.
But there was something different about this one; the wood was nicer, and the carvings were done more carefully. As she got closer to it, her already fragile heart seemed to plummet ten stories. Etched into the wood's surface were the words:
Walter Winters
and below that,
Father.
Maisie sat back in the grass, her face in her hands. She had no family.
"You alright?"
Maisie raised her head and looked over her shoulder at Daryl. "I'm great," she said stiffly.
Hiking his crossbow on his shoulder, Daryl walked closer and held his hand out to her. When she accepted it, he hauled her to her feet. It wasn't hard, she couldn't have weighed more than a buck twenty soaking wet.
"Tell me something," Maisie said, walking in step with Daryl," Where's your brother now?"
"Dead."
"What?"
"Killed the son of a bitch months ago."
"Uh... why?"
"He turned."
"Oh." Oh.
It always seemed to end in oh with him. Daryl was a man who didn't trust many, and he didn't open up to just anyone. Christ, should she even bother? A bank vault was more open than he was.
It made sense though. Emotional connections make you easier to break in situations where information is needed, and that can get you killed.
It was all about survival at all costs for Daryl fucking Dixon.
-----
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Dear diary. When you read stories about some people missing and returning after years of absence claiming they were living in another world, your first reaction is to scoff and dismiss a story as a tall tale, right? I know I did. All the time. Until it happened to me and I no longer did. That day was today. Some god of thunder smote me. If it were Chris Hemsworth, I wouldn't mind but it was some barbaric Hitite god that abaondned Earth some four millennia ago. Yes, what can I say? I love the seventh art. I have more hours watching movies than any other activity, including sleep. What? Do you think I'm exaggerating? Maybe I am. I'll really miss hollywood the most. And my biggest regret is that I never got to visit the holy city of cinema. I did not come to another world to be a hero even though there was hints that they hoped I'd save it. I did not come with overpowered abilities able to, dunno, leap tall castles in a single bound, faster than a speeding crossbow bolt, be more powerful than a eight-horse carriage, the bounds. No. After the asshole god that murdered me brought me to his world, he gave me some boons from his discount bin and "The Power of my Soul (tm)". Forgive my french, I hope you understand I am rather upset at dying. And he somehow decided that my power is to recycle stuff. How awesome is that? Not much at first, I must admit. At least I got all my camping stuff and equipment with me. There's no lycra in the other world. I'll make it someday, but that day is not today. So here I am. In another world, in the middle of nowhere. I'm no heroine. As the song goes, I'm your basic average girl. And I'm assumed to be here to save the world. But almost everything can stop me, because I'm not named Kim. Wish me luck, diary. ------------------------------------------------------------------------ This novel is going have the following features: slow-paced slice-of-life No GameLit / LitRPG elements. Movie references. Sandra likes the seventh art. Journal / diary style crafting (includes chemistry, engineering and metallurgy) low magic technological advancement (for Sandra, at least. She is not against sharing though) personal relations clash of perception between the modern and ancient customs. bits of tension, fighting, and plot here and there. I won't repeat myself though. Once she crafts a good batch of soap, for example, she'll just note, "I crafted soap again." Once it is estabilished how she obtains compound X, compound X2 that is obtainable from the same process will also just be mentioned. I'll try to be as realistic as I can with the crafting, chemistry, and technology. Cover: Public Domain Image by StockSnap from Pixabay. No attribution required but we do it anyway.
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Everyone has skeletons in their closet. The next-door neighbor’s son catches and kills frogs, the village drunk once kicked a dog, for which he was heavily fined, Mrs. Borroh, cheated on her husband with a merchant once while her husband was toiling at the lumbermill, and the Woodbrooks boys like to throw rocks at the neighbor's cat. Anna Truemare’s father, on the other hand, has a much darker secret, one that she never could have seen coming. Mr. Truemare knows how to kill night creatures. When the mayor's daughter goes missing after venturing off to meet the mysterious beast hold up in its castle to the north, Anna’s father, trained by one of the last surviving members of House Belmont, resolves to venture out to retrieve the poor girl. However in her graying fathers hollowing eyes, Anna knows that this is a journey he will not return from. In a bid to save her father from his gruesome fate, 19-year-old Anna strikes out to save her father’s life by offering up her own in return. Never having left the village and armed with nothing but a knife, a map, and her determination, will Anna survive the grueling week-long journey through the untamed countryside to rescue the mayor’s young daughter? Or will she perish like so many others before her at the hands the mysterious and bloody monster in it’s indomitable castle in this mature fan-rewrite on the season 3 ending of Netflix’s Castlevania?
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In a moment of boredom, a sickly youth finds that he possesses a System. A Merchant system. The System promises him immortality if he follows its advice. While the youth is not interested in becoming the greatest merchant to ever exist and while being tantalized by the prospect of immortality, he remains cool-headed despite the amount of pain he receives because of his system even to the point of being swindled out of his hard-earned money by it.Follow Clyde Dominic, the second prince of the Dominic kingdom, as he strives to work hard in the hopes of living a leisurely immortal life.
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"Jealousy, Greed, Desperation, Hatred and Hope.. Blood that spilled the floorboards.. The endless blood of roses that falling from the ceiling.. And this is your Curtain call.. 'The world is cruel, but it should not be ugly.. This stage will elevate my talent to create my ideal art'." -The Virtuoso. The Apocalypse has come, the zombies are rapidly increasing, evolving and devouring every human being in the whole world. People are steeling their resolve to acquire strength that protects their lives. People take this opportunity to overlord the 'New World' by themselves while pleasuring with power, authority, women and everything. While The Virtuoso and The Phantoms of Opera are meticulously creating artistic brutality, horrifying victims and gaining pleasure from cruel perfection of their arts. What kind of masterpiece do you think they will make in this Apocalyptic World? "There's no drama in peaceful death!; I will bring them the Opera of Death!." "I cannot be just good enough to perform my art. I must be perfection." ------------------------------------------------------------------ Warning: He's not a hero nor anti-hero just a 'normal' artist that wants to make arts in apocalypse. Note: Do not own the cover, doesn't know who own it.
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bald kurapika x reader
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This is the second book in the Assassins at Dusk series by _Sibyline_, read Assassins at Dusk before reading this one!THERE ARE SPOILERS FOR ASSASSINS AT DUSK IN THIS BOOK, IM WARNING YOU.You. Have. Been. Warned.This story has very little smut, makeout sessions and such, but no REAL smut. I'm not a smut author.But it does have cursing sooooo...~~~~~Sophie, Lilac, Keefe, and Biana have finally found the entrance into the Dunmer Kingdom, hoping to find Ruy, but they were forced to leave behind Ricin in order to come off as nonhostile and peaceful. Sophie struggles to remain calm and orderly, panicked about her right-hand man and lover, but with her friends at her side, she is willing to plunge into the city of the Vatarian's worst enemy. There is no telling how the Dunmer will react to the presence of the Vatarians and elves, but that is a risk they are forced to take in order to save Ruy. Ruy learned of his Dunmer father and heritage, refusing to accept it and shutting it down. Not only does Ruy have the blood of the Dunmer pumping through his veins, but he shares the blood with the Dunmer King, making him the Lost Prince of the Dunmer Kingdom. Ruy has no need or want to join the Dunmer in any way, but when he learns that the Neverseen march on the Lost Cities, he is forced to swallow his pride and accept training from his father in order to train himself in the ways of the Dunmer. Ruy's mind focuses on the wellbeing of innocents, but most of all, returning to Sophie, his lover and dearest friend. Ruy is forced to balance what he can tell his father and the Dunmer, and what he must keep secret. The world is falling into disarray and bloodshed, and the Vatarian cities are panicked. There is no telling of the future, the only that was promised of the future was war. In this book, blood and love, tears and screams, family and enemies will be filling each word you read. The Guild of Moonlit Shadows, By Sibylline. The second book in the AAD series.
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