《THE RELIC GUILD (and other stories) Updated regularly.》GRAVEMAKER
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There is snow on the ground.
The unbroken line of a funeral procession crawls before the pavement: sleek, beetle-black hearses growling with the impatience of their symbiotic masters. High above, the sun's dull glow struggles to give warmth and light, flagging as clouds threaten to grey the sky.
The limousine is coming.
It follows the hearses like a voyeur, a clandestine stalker, glinting metallically white, lurking at the back. It is patient, respectfully distant, inching along slippery tracks. Inexorable, the limousine has more time than a clock.
The interior might be warm.
But it is cold outside, the coldest it will get this winter. And it will be the last. Spring will never arrive; summer and autumn are seasons of the past. There will be no more changes; no more movies, books and music; no more sex, drugs and PMT.
The limousine's passenger door opens.
And as the sun's weak smile is veiled, a faceless horde sweeps by, jostling with purpose, collected breath frozen to mists of industrial waste. The horde is ignorant, its apathy palpable. It longs to be where it is not, while the bruised sky unleashes another flurry of fallout.
The passenger door closes.
The traffic does little to slow the funeral procession; instinctively, it gives way on the cracked-ice-road. Still at the back, ever behind, the limousine keeps pace. Its heater does little to warm the air inside, for there is only resignation to circulate, and thickly at that. "There are flowers on a box-" the radio whispers "-and inside is you . . ." Windscreen wipers blink. Sleep-dust gathers into corners.
The city is left behind.
Milling claustrophobia morphs to the expansive illusion of freedom. Trees pass by: spindly, barren umbrella frames. Fresh and pure flakes settle and hide the used and filthy. Through a static-dashed view, the last hearse chugs dirty fog to grime the newborn whiteness. The path winds, climbing higher, higher all the time until . . . what? The limousine could crack the ground if it fell? The air could run out? The moon could be touched?
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A book will never be finished.
The plot had thickened in chapter fifteen, the dry pages clutched so hard, a spine cracked and snapped. A leather marker conceals the read from the unread beside a half-empty glass of water, a snubbed candle, a dangling noose and vulgar stains upon threadbare carpet.
The destination is reached.
The smooth, hypnotic rumble becomes the tell-tale crunch of shingle. Like the road into a mouthful of broken teeth, the driveway slices through fields of crooked tombstones. Cemetery guardians watch the limousine's progress: a blur of angels, knights, mythic maidens, devoid of breath or conversation, but always with judgement. Ahead, the funeral procession congregates like a flock of magpies.
The limousine has stopped.
When the engine dies, so does the radio. When the radio dies, so does the heater. The wind is hollow and distant. The limousine is as patient with delivery as it was on pick-up.
The passenger door opens.
The chill is bitter, more so than ever. Hunched bodies, darkly dressed, file into drone-lines, heading for a newly dug pit. The faint light fades. The sound of anguish mingles with the wind's gentle moaning. Eyes moistened in grief for an absent . . . Daughter? Sister? Aunt? Friend? Lover? Junky? Thief? Whore? The faceless horde would be welcome here: a disguise, an escape, an unexceptional alternative.
The passenger door closes.
Stilettos sink through snow and earth; each step a stabbing reminder of expensive shoes never to be worn again; each step closer to the pit surrounded by darkly-cold and white-flecked drones; each step bringing a different face, down-turned, silent and listening; each step unseen but mourned. Religious words celebrate life and lie about the deep cherishing of the gravely missed.
A coffin is lowered.
Fistfuls of dirt scratch over wood. Ghoulish eyes scour the congregation that dares not look down. Every face is loved or hated, rarely liked in passing, but always remembered. Numbers diminish, one departure inspiring another. The congregation heads to amass in a different place, a warmer place, a place of sandwiches, stiff drinks, respectful hushes and remember whens.
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The gravemakers are coming.
In the distance, the last hearse disappears, rushing through the present, heading for the future, the past firmly left behind. In the wake of a burning waste-cloud, the limousine prepares to follow, eager to wait at the back once more. Inexorable, it has more time than a clock.
The gravemakers arrive.
Like butchers eager to joint a dead beast, they stab at a mound of Earth-flesh, shovelling spadefuls of muddy guts into the pit: slice follows rustle follows slice follows rustle . . . On a sodden patch of green, left by the feet of many, snow falls, heavier than before, as if rushing to hide this embarrassing splash of colour. It is cold outside, the coldest it will get this winter. And it will be the last.
The limousine has gone.
.
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The Gray God
This is the sequel to The Gray Mage, however, reading it is not required to understand this story. Three centuries after the god Rynovar claimed Earth as his own domain, ending the Fourth Age of Magic, he ruled the world from a floating continent. Deciding to allow humans a chance at having a wished granted or a question answered, Rynovar created a quest fifty years into his reign. Upon completing the quest, those who undertook it would be granted an audience with him and permission to make a single request or ask a single question. However, two and a half centuries after he issued the quest, none had succeeded and the quest was believed impossible, several stages of it having never before been completed. When nineteen-year-old Cyrus met Lyda at a restaurant, he broke the norm of his life cleaning up his brothers' messes and keeping them behaving to avoid causing issues for the public. Upon hearing her desire to earn enough money to attempt Rynovar's quest, Cyrus chose to help her complete what was believed to be one of the quests' impossible stages, revealing that he himself had a question for the god he wanted answered...
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You move to North Carolina in order to escape your parents, you didn't realize you were gonna bump into someone who'd changed your life.-Events are not gonna be in order, which I apologize for.-*includes swearingNO INAPPROPRIATE THINGS, i think its slightly disrespectful to write things about a real life person that might make them insecure or uncomfortable.This was created before Maddie and Jimmy become a public relationship.
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Bad is an Understatement | ✓
"I don't know who you think you are coming here, and acting like you don't care about anything. Now listen here Princess, because I'm not going to repeat myself. Here's a couple of rules that I'd like to enlighten upon you. Number one, you do not talk back to me. And two, you don't mess with me or the rules," his breath fans my face and I close my eyes. The proximity between us was terrifying. "I've dealt with many bitches like you, so I suggest that you follow those rules unless you want to end up like them," - he leans in. His mouth lingers near my ear, "used."... "... You might think that you run this place, but you do not run me. Understand? And the sooner you understand that, the better it'll be for the both of us," I warn staring right into his eyes before walking away. I was more than amused by his dumbfounded expression. I stop, and turn back around, facing him, "And one piece of advice, know what you're fishing for before you start fishing. What if you find a shark and it reels you in, instead?"⇒Highest rank: 1 in Chicklit on 01.08.16
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The Demon Lords,Known as the most malicious beings in existence. They live to destroy, to consume, to take over the land’s of the humans and purge them from the moment they come into existence. The 56 lords in their 56 dungeons plague the world of humans. The Heroes,Known as the embodiment of justice and righteousness. They live to protect, to save, to redeem the human’s the moment that they enter this tainted world. The 56 heroes are raised and die just to defeat their designated demon lords. Both of these beings are not of this world, they are all chosen from the various wandering souls that plague the underworld. They are brought to bring balance to this world, with their memories of their previous lives wiped except for the most important parts. So, as Damon and Artia arrive on opposite sides of the battlefield, withDamon as the 56th Demon Lord's replacement and Artia as the opposing hero, everything should be in balance. …..At least, that’s how it’s supposed to be. How do you kill someone that was your best friend in your last life? On Artia’s side, it will be a traditional hero story about saving people and destroying monsters that threaten the kingdom, however, things will change. On Damon’s side, he takes over the job of the previous Demon Lord while resisting attacks from both humans and other Demon Lords civil fighting. His story will be centered around dungeons and kingdom building, with eventually relations with other kingdoms and full blown wars.(Yes he’s a dungeon master)
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He looks at her as his best friend.She looks at him as the boy that she is in love with.The world looks at them as Hollywood's youngest couple.
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