《Song of the Sunslayer》Prologue
Advertisement
The tavern was almost half full, a good crowd for a working night before the harvest month, and it was deep enough into the eve most of the patrons were well into their third or fourth drink. The low white noise of chatter and gossip hung like a tapestry of background noise in the atmosphere, soothing the tension of the man seated in the back left corner.
He was almost hidden in shadow; a single nearby candle lit his rough hands as they lifted his pint, and its flame glinted off the coins he had placed on the wooden table — three copper marks, and a single silver shill, coins that indicated to the alewife and her barmaids he wished to keep his cup full and his mouth closed.
There was plenty of space in a wide semi-circle about the man, as though anyone who approached could feel the heat of his glower from beneath the umbral cloak he wore. He put his pint down again, and the candlelight caught a glint off a different surface — that of a craftless silver ring that looked as though the ore had been wrapped around his finger.
The patrons, mostly farmers who were preparing for a hard season with long days, ignored his presence, instead waiting and calling for some sort of entertainment, which the alewife tended to keep until the alcohol had soaked in a little, to make their tastes more pliable. She sent in her bard, a moderately-experienced young lady, who knew enough about her business to wear clothes fitted to her form, but enough about herself to keep the hems at modest levels. She was small of frame but carried it off in a spry way. She approached and mounted the tavern’s small stage, smiling coyly and bowing to the applause and calls of the tavern’s clientele.
She sat upon a stool and pulled an eleven-stringed, pear-shaped oud into her lap, plucking its strings out of habit to make sure that she had tuned it correctly the first three times.
Advertisement
“This harvest season, I am pleased that I have found such a warm welcome in the village of Gwynfyr. Thank you one and all,” she exclaimed, having to raise her voice for the last part as other voices rose in the patriotic support easily mustered by people who knew little else outside what they endorsed so ferociously.
She began with a well-known, bawdy ballad about gods and chasing nymphs, which, having a bouncy refrain with easy words, was quite popular with the crowd, who liked to sing along and then shout the bar down on the last verse.
They called for more, and she sang a short little ditty about a maid from Arcaid, eliciting a room full of laughter.
The bard had a quick smile that she flashed to the tavern.
“I would like to sing to you now of something a little different; please indulge me in telling a tale that we all know: the Song of the Sunslayer, the great and glorious battles of Ragnarok.”
Stamping feet and a roar of approval came from her audience, and she responded by grinning and playing her fingers across the strings in a rapid, skillful scale. It was an oft-told story that nonetheless garnered attention as well as any ribald song.
“This one was actually written by my grandmother, who saw much of it firsthand. Some of you may know it.”
The man in the back corner picked up his pint, drained it dry, and set the empty vessel down with a thunk that was louder than it needed to be, but he did not move to leave.
The bard began playing her oud and singing, softly at first to get the patrons to quiet down in order to hear her.
“Let not you turn your ear from me,
Listen, this tale of woe
Ere swept Death’s hand o’er sea and Sidhe,
And dark seeds he did sow.”
Advertisement
She switched from singing to spoken vers libre, the lilt of her voice lending musicality to the words as she began to narrate the story. Her fingers tumbled over the oud in a simple but practiced tune.
“Upon that time came the hateful harbinger of Ragnarok;
He cursed the gods and damned this world,
Sought to unleash ancient beasts,
To cut down mighty kings and mighty tree,
Even to tear from the sky a god’s own crown
And cast it down to be devoured by a jagged maw.
There rose against him
The Sunslayer with heart of glass,
The Artificer, both more and less than man,
A cunning mage, the wordless warrior of winds,
An army of the greatest, strongest hearts
That answered the war horn’s call.”
A barmaid refilled the pint of the man in the back corner, but he didn’t move to touch it. For anyone looking closely enough — though no one was — his eyes glinted in the candlelight, cold as his shining coins.
She sang:
“Please, do not turn your eyes from this,
From ruin that was wrought
And all the dreadful catalysts
That toward the end were sought.”
Those in the tavern that were younger were held rapt by her words, and though the oldest of the farmers had heard it all before, still most enjoyed the song. Even those who were slightly bored stayed for the karmic delivery.
She orated:
“The hateful one and his monstrous forces
Poisoned all they touched.
O little light was found in those dark days,
And then far worse, in what seemed a final blow,
The Artificer betrayed the cause.
He left them low thus severing their bonds.”
The poetess’s voice was low as she sang of the stirring betrayal, the notes from the oud dark and sparse to provide ambiance.
The man in the back corner had his hands on the table now, clutching his pint so hard they were shaking slightly.
“Those that remained, they stayed to die
But with that choice stopped death’s fell hand.
Golden light rained from newborn sun
And revived the withered land of Sidhe.
Through their great sacrifice
Came a young dawn, a peaceful era just begun.
So at the end not all was lost,
After all, we’re here this day,
But to save Sidhe was paid the cost
At the loss of those good fae.”
A cheer and hurrah rose from her audience, both for victory and for the song’s end, and the bard accepted a glass of water as she paused between songs.
The man unclenched his hands from his ale and pushed it away; leaving both coins and drink, he departed from his table and swept out of the tavern like a spring storm, leaving those in its wake bewildered by its fury and brevity.
He hated that song. He had heard it a handful of times in the last fifty years, had even heard the earliest forms of it when it was being composed. After the War of the Sun ended, it had taken on a sinister meaning for him, and hearing it since turned his stomach, a grim reminder of choices that had not been forgotten.
Would that I could go back and convince him to avert his very destiny, he thought, pausing in the shadows outside the tavern’s small stable.
He thought of a small bundle he had buried long ago, on the edges of his many acres of land, a bundle that contained an object that had wreaked havoc and chaos in their lives.
In his bitter, old heart a small seed began to dig its roots, that he could not continue living like this, but maybe he could change the past.
Advertisement
The Shards of Sylvia's Soul
In the little village of Nyberg, Sylvia is dreaming of a future with Rebecca at her side. Together, they could move overseas. But when bandits attack, all of her tender dreams turn to ashes. Forced out of her home, Sylvia forges new bonds with the Fri, the women who have taken it upon themselves to protect their little corner of the world. She also meets Afi, a strange bandit with a stern face and a soft heart. Saving each other from certain demise, they join in a bond which irreversibly ties their souls together. So bonded, they attempt to settle down. When a distant heir to the Crown asks for aid to reunite the country, Sylvia sees her chance to finally right all the wrongs committed against her family. In the pursuit of the throne, Afi and Sylvia come to risk their very lives. Sylvia uncovers the relationship between soul, magic, and divinity itself, but even in research, there is peril. It is not an easy task to balance the strain on her soul with the demands of the upcoming battle. In this world, the soul is not an incorporeal concept. To the contrary, the human soul is a physical object, an organ which resides in the chest of each individual. It is a great source of strength, but also of vulnerability. Hardship can leave scratches and blemishes, or even break the soul in two. The soul is each person's connection to divinity, to the magic which is ubiquitous to the world. It enables the cultivation of gods, but old legends warn of demons emerging in the presence of corrupt intention, and of hollow warriors, with no soul at all. There are two sides to every page. Update ScheduleNew chapters are in the works. ScopeThree to four books in total are planned.Book 1: "Fri Women" Chapters 1-64. Find the paperback and e-book here.
8 215The book of forever
An experimental diary of sorts recounting my life and experiences, written as a slightly whimsical scifi story about setting off from the past to unknown lands, rebuilding from nothing and finding myself again. The first section of the book contains matched chapters, a chapter for a interlude, both happening at the same time roughly The second section of the book contains more one off stories as we follow one of the travelers explore their heart as well as a unknown land, growing in the process. All of the text here was written in 10 syllable chunks, this reads like a epic of sorts, just with more philosophical focus and POV jumps. Hope you enjoy! >Updates may be sporadic as I only write when I have something about myself I want to share The chapters can all be read individually, although there may be some crossovers between them they work as single poems. You start at whatever chapter you want since these are a collection of roughly connected poems (although you'll notice tie ins and references to eachother)
8 185The 48 Laws of Power in Practice
Discover how power works in the world, through true stories and real-world applications. In the game of power, we all play - as either conscious or unconscious players. So we can't afford not to know the rules. The ** chapters have the most outrageous content. In each chapter, I will be summarizing one of the laws and how it can be applied to current events and pop culture. Some of you have told me the stories are what you enjoy the most. They are real, raw, and anonymous so that others may learn from my mistakes. There will be cringe-worthy stories of self-sabotage, but perhaps also some unlikely triumphs. Some of the details are changed to protect the innocent, (or perhaps guilty). "The 48 Laws of Power" by Robert Greene illustrates truths about power, through philosophy and lessons from three thousand years of history, which still hold true today. There is a lot to learn from each chapter. I encourage you to go on this journey with me by reflecting on how each law might apply to you. Together, may we learn from the past and take control of the future.
8 187Deep in the source Hawks x child reader Discontinued
Bullies, social anxiety, shy, scared, abused, and can't ask for help.This only defined one childA seven year old girl named (y/n). What happens when hawk takes a field trip to school.NO PEDOPHILIA
8 63The Tension
This story is about tension between two gay guys named Clay and Alexander. Clay and Alexander have been besties 4 lyfe until one day it all changed. The tension..
8 125Quirk ideas
Quirk Ideas for those who can't think of any or are just lazy.This book includes mutant,transformation and op quirks as well.This book will end at chapter 200
8 94