《After the End: Serenity》Chapter 362 - Miniature Crafting Dungeon
Advertisement
Excerpt from the twenty-seventh draft of An Earthling’s Guide to the Larger Universe
Dungeon Types (Continued)
Crafting dungeons are one of several very specialized dungeon types; similar to puzzle dungeons, they come in a number of different types. In fact, some dungeon scholars claim that crafting dungeons are simply a subtype of puzzle dungeons.
I don’t agree. They’re similar, but puzzle dungeons want you to solve something while crafting dungeons want you to make something.
Sometimes crafting dungeons want you to bring in your own tools and materials; more often, they provide the material, though you may have to go gather it. This is especially common for crafts (such as alchemy) where the components require less processing before the crafting can begin. Even then, there are components that will be provided if something specific is required.
Sometimes, gathering materials can mean fighting monsters, whether they’re there as guards or simply “live” there. Occasionally, the monster is the material. This is fairly common for alchemy, but golems are a common dungeon monster in crafting dungeons, which can provide many other components.
Tools can be hit or miss; when they’re dungeon-provided, they’re generally very limited. For example, a “smithy” might have a basic forge (possibly incomplete), an anvil, and a subpar hammer - or it might be fully equipped with everything you know and things you don’t. It might even be a copy of the one you’re the most used to.
If you’re entering a crafting dungeon, it’s generally a good idea to bring whatever tools you reasonably can.
Some crafting dungeons will require you to fight monsters, whether that’s to gather materials like above or simply as part of the additional challenge, so it’s always a good idea to have people who can fight come along. Crafting dungeon monsters tend to run on the weaker side, since they’re not the main challenge, but that doesn’t always make them weak.
Some crafting dungeons require everyone in the group to make something in order to exit, while others require only one item to be made. Some can be satisfied with anything, while others have very specific requirements. If you don’t know what the requirements of a crafting dungeon are, be careful about who you bring.
Some crafting dungeons will provide training (usually in the form of books, though some have been recorded as having actual instructors). The training is the usual reward from these dungeons.
Other crafting dungeons will let you keep an item you make or some of the materials you gathered; it varies widely. Once in a while, a crafting dungeon will have another reward; while this is usually Etherium or a rare material, many other results have been claimed.
Some crafting dungeons will compress time and allow you to craft “faster” than real time; others will not. Some will allow multiple groups inside at a time - which may be in a shared space or may be instanced - while others will not. Dungeons that are not time-accelerated and do not allow more than one group in at a time are usually tightly regulated, since a group entering can lock the dungeon down for anything from a few days to a few years depending on the dungeon and the group.
Advertisement
The one thing that is common to all crafting dungeons is that if you are on a Path aligned with the craft you practice in the dungeon, it will progress much faster than the same actions outside. Many crafters also say they learned more than they should have, though this is hard to quantify. This is usually considered the real reward from a crafting dungeon, because crafting Paths can become very difficult to progress.
Like most dungeon experience rewards, each subsequent run of the same dungeon is less rewarding than the previous one, so crafters that cannot afford to travel widely usually wait to use a crafting dungeon until they feel “stuck”.
The room that greeted Serenity when he entered the crafting area looked more like a waiting room with lockers than anything else. The lockers looked remarkably modern, large flat metal fronts with only a small square area with the outline of a hand to tell you how to open them and a rectangular area that looked like it would hold a name or symbol to tell you which was yours.
The floor was tiled in stone; even the ceiling appeared to be made of worked stone blocks. Despite the stone and metal of the room itself, the area felt welcoming; there were beautiful rugs covering five areas of the floor, separating them into spaces where half a dozen people could sit and talk in comfort, with a mix of different types of chairs and tables that somehow managed to look comfortable and eclectic instead of mismatched. Serenity assumed this was Katya’s newly discovered love of interior decorating coming out, but he had to admit that she’d done a good job.
The far wall held the only wall space without lockers. It drew the eye, which was clearly also deliberate, as the area between the doors in the far wall held a sign.
Crafting Area Rules:
Combat is not permitted outside of combat zones.
You may leave at any time.
Items stored in lockers will be retained for up to 30 days.
Only the person who placed the items in the locker may retrieve them.
Group Crafting areas are shared.
Individualized workrooms may be entered only with the permission of their owner.
Items for challenges must be completed inside the crafting rooms. Outside materials and tools may be used.
Crafted items must include some individual expression.
Crafted items may be removed from the Crafting Area for a variable Etherium cost.
Tools left in work areas may be added to the default tools provided.
Available Challenges:
Crafting Challenge (individual)
Complete a non-magical item to complete the Tier Zero Challenge and gain limited access to the Crafting Library.
Complete a magical item of Tier One or higher to gain access to an individualized workroom that may be equipped as you choose. Also grants limited access to the Crafting Library.
Additional Challenges will be added in the future.
Resource Gathering Challenge (Not Yet Implemented)
Crafting Adventure (group) (Not Yet Implemented)
Serenity gave a sigh of relief as he read through the rules. They weren’t quite like any crafting dungeon he’d ever been in, but in many ways they made sense; they seemed surprisingly appropriate for a crafting dungeon situated in a city, where people could come and go. More than that, they implied that the dungeon could reasonably be used once to gain boosted crafting experience per Tier, which was incredible.
Advertisement
He’d also never seen a dungeon that was so blatant about pieces that weren’t complete. “Aki? I assume the Crafting Library’s pretty limited right now, to go along with the stuff that isn’t implemented yet?”
:Pretty limited is understating things. All I’ve been able to afford to buy so far are some really basic books. I can get more with time, but they’re expensive. I’m thinking about putting up some Quests for gathering useful books or teaching, but there’s still time.:
Serenity shook his head. “We have got to get you an internet connection. YouTube alone could be really helpful to people trying to learn.”
It wouldn’t happen soon, but it would be good when it did. For now, of course, people would just have to work around it.
Katya had probably set a lot of the rules. While she’d probably been in fewer dungeons - even Crafting Dungeons - than Serenity had, she was from a family of crafters and seemed likely to have opinions on what they should be. He hoped she’d gotten Aki’s input as well, but at the end of the day all Serenity really cared about was whether or not he could get to the warded workroom. “Aki? Is the mage’s workroom one of the individual workrooms the sign mentions?”
:Yes. I have also been designing one that can be used by multiple people, but it will not be on this level. I’m planning each level of the tower to have something that will draw people to visit and spend time. Preferably also spend mana, but time is enough for some floors.:
That explained why she’d said he’d only have to complete the challenge once.
Serenity turned his attention to the doors. They were a pale, polished-looking wood with metal handles; each had a label burned into the wood. Starting at the left, there was the Common Work Area, then Higher levels of Tower (Currently Inaccessible). On the other side of the sign was the Library and then Individual Workroom.
It was obvious where he needed to go, so Serenity shrugged and headed towards the Common Work Area. When he got to the door, he found himself standing with his hand on the door handle; he wasn’t certain how long he’d stood there without opening the door. “You may leave at any time,” he reminded himself. “That’s what the sign said.”
With that reassurance, he managed to open the door and step into the room on the other side.
Compared to the crafting dungeons he’d been in before, the Common Work Area was in good shape. That was the only thing he could say in its favor; it was pretty but it was empty of almost any tools that would actually be used in crafting. Oh, there were a few, but it was one of the worst-equipped ones Serenity had ever seen. “This is where the note about tools left in work areas comes in, isn’t it? You’re planning to build this place out using stuff people bring in and leave behind, deliberately or accidentally.”
:Correct. Once I have the pattern, I can make it, but that will be a far better way to get the pattern. I never had a crafting area. In my previous dungeon, that is.: Aki sounded thoughtful, almost nostalgic. :I think I like the idea. Katya is enthusiastic; we’ll see how it works out.:
Serenity reached into his pack for something he’d been carrying for quite a while with no real use - the Dry-Erase Marker with Mana-Compatible Ink he’d gotten as a reward from the Blue Line Enigma dungeons. He set it on one of the nice tables as a gift. While he could use it to draw runes on any surface it would mark, he expected that it would be far more useful to Aki and to actual crafters; he would simply use liquefied monster cores if he needed a rune. As expensive as they were, they were really not that hard to get when he could tell which monsters had them and simply teleport them out of the monster’s body. “So what do I need to make to finish the challenge and get access to my workroom?”
:I can’t tell you anything more than what’s on the board. You need to make an item of Tier One or higher, with at least minimal self-expression.: Aki paused, then continued with a hint that didn’t actually tell him anything directly. :Given what you told Rissa on the way in, I doubt you will have any trouble.:
Serenity knew he could overthink that statement a lot, but he decided to take it at face value. No trouble meant it should be something easy to make. That meant a one-time-use rune structure; those were the easiest things he could make that seemed likely to qualify as a magic item. They required magic to function and that meant they fit most (though not all) of the definitions of “magic item”.
He glanced around the room. He needed something to put the rune on, and something portable would be best. The tools and materials he wanted weren’t available, but there were reasons he knew other methods, and this was just another one. Off in the corner of the far table, Serenity saw a stack of what looked like printer paper with a few pencils lying near it; it must have been set there to give people something to use for sketches or working out what they were going to do. It would work.
Serenity pulled some monster cores out of his pack and grabbed a short stack of paper; he wanted enough paper that even when the liquefied mana bonded to the paper, it wouldn’t bleed through to the table. While he could control it accurately enough to prevent that, it was easier to simply use more paper and printer paper was cheap.
Advertisement
- In Serial73 Chapters
Isekai Dungeoncrawl - Am Ende mit meinem Latein
I have always thought I would live out my life without any major surprises. You know, work on the estates of my parents, serve my time as a soldier, become a senator, a praetor, maybe a consul in time. I thought I will live the life that a Roman noble of my standing can count on. But this was not to be. My previously simple life got suddenly very complicated. I was taken from my home, and now I have to live in a world where no one speaks Latin, no one prays to my gods, and no one knows what the heck garum is. Before, I thought I had all the answers, but now only questions remain. Will I survive? Will I find my way back home? Will I ever be able to get the savage bastards living here to adopt the great accomplishments of Roman civilisation? Not even the gods know the answers. One thing is for sure: should I ever get home again; I will never set a foot outside of my estate without a healthy stockpile of garum. The cover is from Peter Paul Rubens' "The Death of Publius Decius Mus" This webnovel is partially based on a DnD campaign where a party of three players played the adventures The Sunless Citadel, The Forge of Fury and The Witches of Westwater.
8 144 - In Serial7 Chapters
Cast Under Ellitis
Ellitis, a world of sword and magic. Massive in size, with most of its surface unexplored. Where dragons and spirits dwell amongst men and demi-humans, where gods and devils alike barter with mortals and immortals. Beautiful as it might seem, mystical even, Ellitis is not a world for the frail. It is a place where the strong prey upon the weak, and where the weak struggle with every fiber of their being to overthrow the strong. It is here, in an unsuspecting corner of this world, that an unfortunate soul was born an orphan by the mischief of beings untold. Eliot Wyon, formerly known as Eliot Alderman, was just a mediocre engineering student in his past life. Perhaps without any help, this life of his will be just as boring as his last. But throw in an impish ex-goddess to help him along. Maybe, just maybe, he could make this life a bit more interesting. ----------------------------------------**Author's Note**---------------------------------------- Hello Everyone, I am Vi, Cat Vi. This is my first attempt at writing a story. I am a complete beginner at this. The closest thing to an organized story I’ve ever written is essay reports back in high school. There might be syntax errors and weird language all over the place. So, apologies in advance. I’ll be trying my best to make this story as interesting as possible, and with your feedback I am sure I can make something nice out of it. Constructive criticism is appreciated. And you are welcome to comment any errors you might notice. I’ll try to fix them up as soon as I can. For now, I don’t have a schedule. But if the story gets traction, I will try to work something out. **Cover Image Drawn by me.
8 199 - In Serial7 Chapters
Project Daily Grind (Mirror World Book #1) by Alexey Osadchuk
Opening chapters were published at the request of the author Alexey Osadchuk.This is a new book in the LitRPG genre.The ads enthused, ""The virtual lands of Mirror World await you! Live out your most secret dreams in our world of Sword and Sorcery! Become a Great Wizard or a Famous Warrior! Build your own castle, tame a dragon, conquer a kingdom! All those desperate, lonely and insecure - Mirror World offers you a chance!"But Oleg isn't meant to become a great wizard or a famous warrior. He'll never have a castle of his own. Neither will he ever tame a dragon. And he's definitely not the type to conquer a kingdom, however virtual it may be.Oleg is doomed to toil away in the recesses of Mirror World's mines. His goal is to raise enough money for a heart transplant for his dying six-year-old daughter. The clock is ticking. Will he make it?
8 146 - In Serial27 Chapters
The Dragons Predicament
Monsters, humans, war. Within their shielded cities of Technomagi, the humans live their lives in small boxes. Only venturing out of their bubbles with gunslingers or mages trained to defend against the beasts outside. Teleportation to other cities is normal, done through square boxes on rails that are housed underground. These days, the disparity between humans and us has grown to a breaking point. In a single night: an entire nation of monsters vanished. A cloud and flash of light that all had seen. Only the strongest could survive against their might and stubborn ingenuity. Those terrifying, amazing humans. We had laughed at first. ‘What possible danger is there? They’re just humans’. That was centuries ago by this point, of course. We all realized the moment we saw that metal tube fall. There is something that only a human can accomplish, through their ability to see light even in the darkest situation. You don’t win against humans. You either die with them or live to serve them.
8 377 - In Serial6 Chapters
How To Survive Hell.... Kind Of
Have you ever woken up naked in a strange place? not sure how you got there? well i woke up in a giant bloody pit, I mean that literally, IN A GIANT PIT WITH BLOOD PISSING DOWN THE WALLS! so my day is not going great, the lava does not help either.Oh also the giant salamander.... and the beetles...oh yeah demon's too. Yippee. Fking greatOh look other naked people... i hope they are at least friendly... creepy eyes though.This is my first attempt at writing, have mercy upon me :3
8 189 - In Serial25 Chapters
My Bully Loves Me!?
Zuma ( A Bully )has a crush on Rocky ( A nerd ). Rocky might be a buff guy but he has a soft heart, actually obeys the rules, while Zuma, he might look harmless but he can punch you and make your life like hell.
8 124

