《Pilgrims and Fulcrums》The Body
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It's hard to be
close
to other people.
(The more, the
difficulter.)
All those different
wants
crammed in together.
(The more, the
louder.)
Everyone wants to be
first
except in apologizing.
(The more, the
brokener.)
But God chose to be
here -
God with us.
(The more, the
closer.)
And this is how
He
chooses to work.
(The more, the
Christ-er.)
I know why you're afraid of
Church:
because it's family.
(The more, the
merrier.)
Don't
be
afraid.
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- In Serial74 Chapters
The Undead King of the Palace of Darkness (WN)
I don’t want to die. I want to be free. To that end, I shall… reconcile myself to the fate of becoming a «monster».A strange disease that racks up one’s entire body with intense never-ending pain, until the person slowly withers away and eventually dies. After a few years of braving through the pain, the boy is in no luxury to even feel despair. With nary a soul to tend to him, he breathes his last.The next time he opened his eyes, the boy had become an «Undead» of the lowest rank through the power of an evil Necromancer.The boy rejoices at having his earnest desire fulfilled, which is a body that will never feel pain. However, he realizes that he is still under someone’s control and how it was no different from when he was cooped up in the hospital ward.But the world would not leave alone the boy who only wished for peace.The Necromancer who revives the boy from the dead, names him «End» and attempts to gain control over him.The Undead Knights, lay their lives on the line to persistently chase after and annihilate the beings of the darkness.With countless monsters under their command, the Demon Lords rule over their own lands while they all contend for ultimate supremacy.The motivation being survival and freedom. The requirements being caution and power.This is the tale of the cowardly King of the Undead. In his pursuit for freedom, he heads into battle and turns tail at times. He knows when to fear his opponents and when to waver in his decisions.
8 307 - In Serial17 Chapters
The Oresteia (Modernized)
All three of the great Greek Tragedians have written plays about the bloody chain of murder and revenge within the royal family of Argos. Yet theirs is in fact not a story of tragedy, but rather one of redemption. As they move from darkness to light, from rage to self-governance, from primitive ritual to civilized institution, their spirit of struggle and regeneration becomes an everlasting song of celebration to be heard throughout the ages. Forming a discourse set against the emergence of Athenian democracy out of a period of chaos and destruction, the Orestian plays are compelling stories of the tensions between our obligations to our families and the laws that bind us together as a society. In the beginning, we witness how a king’s decision to sacrifice his daughter and turn the tide of war inflicts lasting damage on his family, culminating in a terrible act of retribution. In the aftermath of regicide, we behold how a son must set out to avenge his father’s death by committing a most egregious sin. In the end, the sinner is tormented by supernatural powers that can never be appeased, but ultimately finds redemption and ends the curse on his house once and for all. Woven through all of this is the story of a friendship so close that it elevates itself to brotherhood - Where the blood of the covenant is shown to be indeed thicker than the water of the womb. In this very brief twelve-chapter modern rendition of the Orestian plays, I have chosen to place my focus mainly on the lives of the characters Orestes and his best friend Pylades. The chapters, each around 2000-2500 words, are split up evenly between them in first-person narrative. I hope that you will come to enjoy reading this heartwarming story, but more importantly, that you see how the conflicts portrayed in the story, whether human or institutional, are still much very relevant to our societies today. Note on Sources: The details of this story is very loosely based on The Oresteia by Aeschylus. And I mean very loosely. Other sources that I referenced for detail and inspiration are Mythology by Edith Hamilton, Electra by Sophocles, and Iphigenia in Tauris by Euripides. You may also find that I have quoted some of these works, and others (such as Shelley's Ozymondaeus), without citations (average of 1-2 such quotes per chapter). I did this because I do not have the ability to describe certain scenes nearly as well as some of those writers. If you read a particularly beautiful piece of prose here, chances are it's probably stolen lol. Also, I wrote this during the summer between my high school senior year and my college freshmen year. It was the summer of 2020, and being quarantined apparently gets my creative side out lol.
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Arriving at the Sol System in her spaceship, the Tin-Can, a winged humanoid named Kree continues a life-long search for something she believes will bring many answers. After meeting an alien local to Europa, named Twy'la, the two set off together, not knowing just how far they will get in their adventure, as they each discover more about themselves, about the galaxy, and much more.
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The Storm and the Dragon | Rhaenyra Targaryen
The world was on fire and no one could save me but you...Cassandra Baratheon wasn't rude, even to the people she didn't like she was nice but there are people she can't be nice and kind to and that's Princess Rhaenyra and her best friend Alicent Hightower. But after what happened between her and the princess, Cassandra can't hate her anymore...•All the characters belong to George R. R. Martin except Cassandra Baratheon, Orys Baratheon and Martyn Lannister•[Rhaenyra Targaryen x fem oc][House of the dragon season 1-?][New chapter every day!]
8 68

