《Bloodborne》15 - More questions than answers
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Surgit opened his eyes to find himself standing again in that garden with its small house on top of the hill and flowers all around. He saw the doll lying on the ground next to the door as he approached it. He swore he could see a finger twitching but when he looked at the inanimate object again, nothing seemed out of the ordinary. He got inside the house to find Gherman this time facing him: “Welcome back” he said as he looked at him fixatedly. Gherman looked like a very old man at first. On closer inspection though, Surgit could see that the man sitting on the wheelchair was missing his right leg. “What happened to your leg?” he asked before he could repress the thought. “I see that you’ve chosen the saw cleaver as your weapon, nice choice. It’s a swift weapon for sure, not really elegant but who needs good looks when you’re faced with beasts.” Gherman had continued his speech as if Surgit hadn’t spoken at all. This feature, common to most people he had met since he arrived started to irritate him. “Don’t worry, for now your job is to hunt beasts. So go out there and hunt, it’s for your own good.” He went on then fell as sleep instantly as if on a timer. Surgit didn’t try to wake him this time. Those things in the city were beasts after all and he just had to kill them. He decided to take a closer look at the house and get some rest before he headed back to Yharnam.
The house had two entrances. The main one next to which the inanimate doll rested and another one that lead to a smaller garden at the back of the house. In the middle of the house there was a fireplace opposite which Gherman loved to slumber. Opposite to it was what seemed to be a workshop bench with weapon parts on top of it. What got his attention though was an altar next to the back door. There was a white cloth on the altar that was stained with blood. A strange inscription could be read under the cloth. Surgit removed it to read: A special tool is required to use Caryl Runes on this altar. Behind it stood a strange statue: a hooded woman was holding a big rocky tablet which hid all of her body starting from her waist down, inscriptions must have been written on the tablet but now, all the text was long gone as if years of decay had erased it. Next to the statue, Surgit saw something scribbled on the wooden floor. “Seek Pale blood to transcend the hunt.” The note was engraved by a sharp object on the wooden surface of the floor. Someone really wanted him or anyone else to find this message. Too many questions and no one to answer them, Surgit started feeling irritated at the amount of mystery this place hid. He decided to take a rest in a couch in the house before he headed back to the city.
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Old Riding Author Lunatic Asylum
Just off the A19, in the dark, incomprehensible lands known as Yorkshire, there lies a town. A town where shadow-silent alleys glint with the secret hunger of knives. Where blood soaks the chipboard window shutters of forsaken terraces stretching off into the night. Where the smog-choked air rattles with the depraved laughter echoing out from clubs that can only generously be described as post-apocalyptic. Well, that’s Middlesbrough. But down the A19 a bit (an impossibly long way down, actually) there lies another town: Raughnen, in the ancient, forgotten Old Riding. It is an equal match in muggery and thuggery alike. It also has magic spells and pointy wizard hats. And now, across the miles and across all sensibilities, a pretty nasty power (a magic one) calls out for its pretty nasty counterpart (a decidedly unmagic one): a proper sound Boro lad. Nothing good can come of it. This is a collection of one novella and four connected short stories: I. A Yorkshire Summoning II. Old Riding Day Trip (the novella) III. Heaven is a Parmo IV. Death on the 66 V. Death on the 257 In total, this comprises 34 chapters totalling around 35,000 words, so try not to worry. It will be over relatively quickly. There are three more short stories with more tenuous links to the core collection: Rush, Paper Round and Scenario 79: Sausage Fingers, all of which can be found in my collection Short Records of Misadventure. Reading these may allow you to make more sense of certain parts of the story, if any sense is to be made at all. NOTE: There are instances of prejudice and discrimination within these stories, including elements of sexism and ageism, which are purely the thoughts and actions of the characters involved and which certainly do not reflect my own views on these matters. ANOTHER NOTE; A WARNING, PERHAPS: This can get a bit weird. In less than 150 pages, we have four viewpoints, first and third person narratives, and a completely disjointed plot with lots of gaps, dead ends and no real resolution. Also ZERO lunatic asylums. It's all a bit odd. If that sort of thing isn't your cup of tea, which it most likely isn't, it might be best to move on now.
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As a person who had always been fixated on her weekly routine, Nina felt stranded when she was dropped to the unfamiliar world below. With no other choice but to accept the help offered by a local courier business, she soon finds that the group of women she works with have a lot more to them than what meets the eye. Promised that she can return home after her contract is finished, Nina’s chaotic time at The Cloud Orchestra begins. But will she really want to leave when the time comes?
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In the year 2046, where humanity advanced further than imaginable and created a device that broke world records and setting new heights for competitors all over the world, how will they keep up? Allowing people to enter a role-playing game world, where you can use weapons such as sword, axe and more, would you want to get involved? Knowing how to enter the game world, how will you leave the game world? https://www.wattpad.com/user/Zoldyar This is my work and I will be posting it on Royalroadl.com
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This is a story of a young boy, Lin Feng, whose passion for cultivation dies once he opens his meridians, he decides to leave his family and settle on a small Mountain, to kill his boredom, he starts painting, carving, farming and other hobbies. What he doesn't know is the things he thinks are normal can make cultivators lose their minds. Join Lin Feng in his daily normal life. The cover isn't mine, just found it on google. If the artist wants it removed just dm me and I will remove it.
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This is a story where there are no heroes and no villains. This is a tale about revenge, despair, and hope. This is a story where the truth is constantly hidden deep beneath the surface, and nothing is ever as it initially appears. The world is a stage. Every character has their part to play before their exit. They are actors, dancing on a stage set for them while searching for the truth behind the façade. Only time will tell whether they will be able to escape their predestined fate, to search for their happy end, or whether the promised end is nothing more than, a wish. Author's Note: Update will be very unpredictable as I travel quite a bit for my work.
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So this is death...? I... Wish this moment would last forever... this is bliss in its purest form... why do humans fear this feeling? [The Slothful Moon Goddess intervenes with your curse!]
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