《Ava Infinity (A Dystopian LitRPG Mind-Bender)》Episode Eight: FAQ(Fully Automated Questlines)
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Inside the brain there exists a pair of invisible hands, consumed with the never-ending construction of a house of cards. One hand holds something new: a card which the brain has never before encountered. The other hand fingers through the house they've built so far. It taps what it guesses is the card most comparable to the new one. These things are similar. I can understand them now. And the new card is then integrated into the ongoing construction, sliding in to support that which surrounds it.
For context, the house contains something like one-hundred trillion cards, give-or-take.
People trust these invisible hands to make correct choices. To steer them in the right direction. But the truth is: a brain can only guess. Compare the unknown to the house we've been meticulously building since birth and then guess where the next card should be inserted. All of it depends on the rest of it, and if just one fact goes awry, the entire house could come crashing down.
“Follow me.” Ava sighs. “We're going back to the lab.”
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To leave the nursery Ava once again spits upon the wall and the hidden door opens. What felt like magic just a short time ago now seems like a cheap gimmick. She leads the party back along the silver corridors to Dr. Sara's lab. The door here is also invisible.
“When I open this up,” Ava says, gathering saliva to spit, “be prepared to fight.”
But when they enter, Sara is nowhere to be seen. There are no Custodians. The machinery of the lab drones on all by its lonesome. And over yonder Bach lies flat on his back, strapped to an operating table. They go cautiously as a group to be at his bedside.
“Oh God,” Uma cringes.
“Bach?” Ava says close to his ear, “can you hear me?”
He moves not a single muscle, not even to open his eyes.
“Bach?” Ava repeats. She puts her ear near his lips. He's breathing, but only softly.
“Ava,” Uri whispers, “look.”
He's pointing at Bach's right hand – or rather where it should be. His arm ends in a knotty stump at the wrist. The scars say it's an old injury, not a recent amputation, but his cybernetic hand have been removed.
“We should get the hell out of here,” Ellie warns.
“How can we move him if he won't wake up?” Uma wonders. “I think he's probably too heavy for us to carry. Is there something we could use as a sled?”
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“Why move him anywhere?” Ellie argues, “he's no use to us like this. Look, she's even uninstalled his skill-chips.”
There on a surgical tray beside the bed sit disheveled microchip implants, still gunky with fleshy wads from the excisions. Ellie prods Bach's head so it turns to the right and the incision site becomes evident: shaved and sutured.
“Why would she keep him alive?” Uri wonders.
“Who cares!” Ellie stomps her feet. “She could return any second! You want us all to end up like him?”
“I already am,” Ava says, holding up her metallic hand. Ellie is quiet. “How can we wake him?”
“Gimme one sec'.” Uri works at the computer terminal beside the bed. “I think I've got it.”
And Bach comes suddenly to life, a creature reborn on the slab like something from the morbid imagination of Dr. Frankenstein.
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Autonomous Variable Assets: Today's patch introduces the revolutionary AVA technology to the world of OMEGA. The U.S. Department of Labor has awarded The FUN Company exclusive user rights for this exciting new tech, a first-of-its-kind merging of the human brain with our proprietary procedural engine! A literal game-changer, the benefits are too numerous to list but include:
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Additional Changes/Fixes:
Quests involving the “Self-Made Minotaur” in Guffey Gorge can now be completed(Golden Septum-Piercing added to loot table).
Shurikens may now correctly be equipped in the range slot.
New Equipment Type: Cybernetic(10,000+ items added)
New Ability Type: Psionic(2,000+ abilities added)
“What....” Bach groans, inspecting his stump, “what has she done to me?”
“She took out your chips, too.” Ellie stands with her arms folded across her bosom. She turns away as Bach comes to. He tries to sit up but the pain in his head forces him back down, clutching at the wound.
“She butchered me.”
“Bach,” Ava says, “I'm so sorry.”
“Where is she!” Again he tries to rise but it's too much too soon and he topples off the bed and clatters onto the floor. Ava kneels and helps right him into a sitting position with his back against the mechanical underside of the operating table. Out of breath, he pants, “I'll kill her!”
“She's gone,” Ava says, “we're not sure where.”
“Ava, what's happened?” He gestures at her with his stump. “What have you done?”
“I had to.” She flexes the hand to show him, its pneumatic actions squealing. “There were two of these killer robots. There was no other way.”
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“You overloaded?”
“I did.”
“You must be exhausted—”
“Bach,” she's cuts him off. She's not interested in his concern. She wants to know, “why did you bring me here?”
“He was working for that mad scientist,” Ellie interjects from some ways off. Bach sighs and looks at Ava.
“Well?” she asks, “were you?”
“The doctor told me where to find you, yes.” He nods slowly. “Told me Human Resources had captured an AVA.”
“What did she promise to pay you?” Ellie scoffs.
“Nothing,” Bach says, “I swear.”
“Then why?”
“Because only an AVA can defeat the dragons. Dr. Sara said she could help.”
“You're a Slayer?” Uri asks.
“Yes,” Bach replies, “and Sara claimed to be a comrade.”
“She's my mother,” Ava says, “and there are dozens of Ava's here—all sleeping and hooked up to machines—do you know why?”
“What? No – I have no idea. She only told me she'd rescued two others, and that a third would give us the power to build our own dragon.” He turns his head so he can look directly into Ava's eyes. “I swear, I don't know what she's really up to.”
Ava frowns and crosses her arms.
“Where is your flask?”
“My inside pocket.”
She slips her hand inside his poncho but the flask is not to be found.
“You're freezing,” she says.
“He's in shock,” Uri notes, “my sister and I can do nothing for his injuries until we sleep. Perhaps you can interrogate him further at that time?”
“I'm alright, Uri. I owe her answers.”
Ava closes her eyes. And she barely has to think of the ItemID before out of thin air it materializes in her robotic hand, oddly pixelated and translucent at first, and then becoming more and more solid until finally she holds a flask in her hand. She inspects it and there is the label, shimmering and mirage-like:
Her companions look at her and the flask like they are something from another world. But she doesn't have it in her to care what anyone thinks, not anymore. She twists off the cap and holds it to Bach's lips.
“Drink up,” she says, tilting the flask until he gulps. “Now tell me: what the hell am I?”
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“Autonomous Variable Asset,” Bach says.
“A-V-A,” Ellie spells it out.
“Genetically engineered beings whose minds were combined to create content for a game.”
“Omega,” Ellie elaborates.
“'Genetically engineered'?” Ava asks, “what's that mean, exactly?”
“Clones,” Bach says, “with cerebral modifications making them—making you—more adept at manipulating reality.”
“The entangled mind...” Uri whispers.
“Yes,” Bach continues, “it is the exact same concept as your psionics but on a grander scale. You know the power which is possible with just two minds entangled, now imagine hundreds—”
“There's nothing they couldn't do,” Uri interjects.
“Nothing they couldn't create,” Uma explains.
“They created entire worlds,” Bach concludes.
“I still don't understand.” Ava paces, rubbing her brow with her mechanical hand before realizing how odd it feels. She stares at it, flexing the fingers and rotating the wrist. “How could a game be so.... important, I guess? Why would anyone go to all this trouble just for a video game?”
“It's hard to explain.” Bach says. He looks to the others for help but the twins can only shrug and Ellie just makes a sour face. He's on his own. “Well, to begin with, there was this thing called 'the Economy'—”
“I know what an economy is.”
“Then perhaps you know that the way it used to function was through a hierarchy of bosses and workers,” Bach explains, “but in the 2030's labor became mostly automated. The majority of work was then done by machines.”
“My father used to tell me stories about work,” Ellie says, “before my time. He was a supervisor in the Amazon.”
“With jobs being a thing of the past for most people, they had to find something else to do with their time,” Bach continues, “so they started to look around. And what they saw was a world they didn't want any part of. Now that they weren't busy at their jobs, they could really see how bad things had become. Society started to fall apart and the bosses didn't feel safe. So they made a decision: fixing the world was too difficult, so they'd make virtual worlds, instead, and the workers would line up just to escape their reality. And as an added bonus, the energy derived from workers solving puzzles in the virtual worlds could be used to power the machines doing work here in the real world.”
“Omega,” Ellie mumbles.
And just then there is a tremendous impact and the entire laboratory quakes. Bach's fleshy chips on the surgical tray rattle beside blood-stained operating instruments. The lights flicker and dirt seeps in through minuscule cracks in the ceiling.
“What was that?” Ava shields her head. Another huge impact shakes the lab.
“It's God,” Ellie says, eyes wide and hands clasped, “we're doomed.”
“There are no Gods,” Uri mutters and his sister punches him in the arm.
“It sounded like a bomb,” Ava says.
“Not a bomb,” Bach concludes, “probably just your mother.”
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Phil, a poor miner's son, becomes the lover of one of the wealthiest actresses around--a woman he idolizes. A woman he's not sure he can save. ************ Phil is Lydia "Gara" Garant's biggest fan. But reaching a massive starlet from the dingy home of his miner father is an impossibility. When Phil shucks off his humble beginnings in a heist gone wrong, he not only meets Gara, but ends up as her lover. In no time, he learns that the seemingly perfect woman with the perfect life is as lonely as they come. Can this good boy fill that void and save this bad girl from herself? Or will the lifestyle of decadence and debauchery drag him under, too?
8 210Triquetra: A Multi-Class Isekai or How I Learned to Stop Worrying and Accept the End of the Multiverse
Triquetra: An Multi-Class Isekei Adventure I know, I know, you have heard it all before. Yes I was hit by a truck. Yes I ended up in a Fantastical World suspiciously similar to one of my favorite RPG’s. Yes I had access to cheats no one else possessed. Yes it was a world of classes and levels and magic powers. Finally, yes I was an overweight middle-aged loser failing to live up to my potential. Given my eclectic reading habits I should have been better prepared. Unfortunately I was not. Sure I could multi-class with reduced penalties, but my starting class was Scholar! No combat abilities and very limited spellcasting. My HUD interface costs mana to use, and my universal translation seemed to be outsourced to Giggle Translate. I’m supposed to be an OP MC! Not a slice-o- life struggling to survive in the wilderness. Not to mention the Arch-Magus who summoned me, mistimed everything, I arrived 300 years too late, after the fall of the Empire I was supposed to save. The surviving remnants have devolved into Murder Hobos. What’s worse is that the Great Devourer, Ancient Calamity, and Spawn from the Void Beyond Time, Space, and Sanity is now aware of a new world to plunder, a world called Dirt! (Told you this translator sucks) Warning Extra Crunchy Authorial Vebosity! Lots of infodump in the early chapters, but I learn my lesson and it does get better, eventually. I do not own the Cover image, found it on a free image site.
8 151The Fate Eater
What might a man really do if he found himself reincarnated into a fantasy world as a dragon prince? How would he come to terms with his new nature, his larger-than-life family, the agendas of warring factions, and the destiny he never asked for? This is a story that intends to defy some isekai tropes, but play into others. It's mainly about exploring a rich hand-crafted world, full of its own history and mysteries. Its characters have their own lives and aspirations, and our protagonist is but a piece of the greater tapestry. This story is not about right and wrong, or good and evil. It's about a dragon-man being tested by fate, power, and time. It's about what it's like to live as an outsider who lost their home. But perhaps the most central theme is freedom. What does freedom really mean? What will it cost and how much might one be willing to pay for it? Does it even truly exist? Let's find out together.
8 329The watcher of universe and stuff.
The most devastating thing to an eternal being must be boredom. If nothing can change you, how can you yourself change? Sometimes you have to learn that the hard way. I should point out that there are multiple lead characters and they will all have their own personalities and motivations. While the story will focus more on our MC Trey, you can expect multiple POV switches. If you do not like POV switches, this might not be for you. My first book. If anyone will ever read this, be so kind as to leave a comment. Even, if all you say is an insult. As long as I can improve this work by your comment, it's all fine. One thing’s for sure. I will keep writing as if my reader can handle curse words without curling into a little ball and repeatedly saying: "Leave my safe-space alone, you monster". Therefore, you can expect some profanity.
8 105Worlds: The Beginning!
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8 182That Scottish Play
This is a very silly and cringey parody of Shakespeare's Macbeth. The play format will be kept consistent throughout. Unless you enjoy cringing so hard you experience physical pain, I'd suggest avoiding this work. However, as the level of cringe is only slightly less than that of the office, any fans of that show may enjoy this work. (I believe, as a parody, this work is protected from copyright by fair use, additionally, Shakespeare is in the public domain so it doesn't fall under copyright in the first place. If I'm wrong please let me know)
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