《The First Corridor of Old Works》Chapter 41: Wills Aligned Toward the Point of Orgasm and Morality
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“Please agree to comprehend the holy logic of this incantation. You understand that this is what's wanted because it is a spiritual lack that wells within them? You understand the consequences of living a life with any morality else? Just as I copulate currently with my child. Just as this entire gestation, is my making love, with my child; our organs entangled and our wills aligned toward the point of orgasm and morality - this is the notion of the sacred in the form of incest. Because that's what I'm breaking into this world, my son, my foulness, my waste, my shit, my child, my husband?
“Let's talk about demons -
“Let's talk about what you have to do -
“Let's talk about organs -
“Let's talk about how I control the minds of my populace -
“All the same thing, all the same public fuck -
“Let's talk about my son, my filth, my lover, my flower, my cunt, my entity, my fashion, my morals, my life, my ethics, my efficacy, my control, my lust - my lust for your lust for me: your moral panic at it. Your lust for my son who copulates intimately inside my body parts, let's talk about that.”
She was a sick fucking bitch.
Behind those waves of colour that were essentially Art's entire consciousness, he could still see her on there, on the throne; he could still see her in the sand - but there was nothing else; no guards; no women; no weasels; no jade walls and no masks.
Just the two of them: her sideways held aloft direct above him; her dress, melding those colours that were the unmitigated lies out her mind; her dress assailing him like – sails of a geriatric sex galleon - looking up her dress in fact, to the extent that he was below it; organs, everything else he could see that mattered nothing.
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The parts of her, of Slua-Sryh, the Queen of Waat, were almost separate floating entities now; pink folds and flesh the abstract colour of lies; a jade dress hiding the immanent copulation between; copulation that was gestation: the conscious summoning in biological organs of a demon out another realm.
Her folds saw folds in flesh, he saw the dress; a dark copulation directly above him/behind him now, both sides, sideways on that throne; beneath him and inside him, no separation between any of it and the infinite separate threads of a discourse that was mania, all designed in their overlapping narratives and confusion, to destroy his identity, destroy anything, any basis of anything that he could cling to as a consistent through-line of personality, identity, purpose, will, reason for living, ethic – spiritually; reality perception/interpretation of what was going on/good or anything else; he barely heard her now; he barely heard anything.
All the same time explaining how her constructing her child consciously through the separate conscious segments of her mind was the same thing as copulating with demons; was the same thing as the quest that he had no choice but to stake all for the completion of -
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Journeys in the Fairworld: The Gatekeeper
Lindsey Fluger was only slightly past eighteen. There was nothing particularly special about her, save that she happened to be the right person at the right time. When Lindsey is asked to join an expedition to another world she makes the mistake of saying yes, plunging herself into a sea of perilous adventure and dark intrigue. Journeys in the Fairworld is a fantasy anthology series set in The Fairworld, a magical realm existing in parallel with our own world which is governed by a group elfin beings known only as “The Good Folk”. These mysterious entities work in secret to keep the peace between the myriad of peoples and nations which dwell in The Fairworld. Complex relationships and bitter rivalries emerge against a backdrop of constrained resources and conflicting values to produce a world of high adventure and tangled mysteries. This novel is technically already completed, and I am currently in the final stages of proofing or editing. As such, there may be a few typos and errors here and there. The final version should be about 130,000 words long, which I will be releasing in stages as I continue editing. I'd love to hear your feedback and comments! If you want to read more stories from Journeys in the Fairworld, please checkout “Journeys in the Fairworld: The Brigand of Potham”, which is also available here on Royal Road Legends. https://www.royalroadl.com/fiction/19369/journeys-in-the-fairworld-the-brigand-of-potham
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8 190Game, Set, Match
You all know the story. The world changes, people get told by mysterious floating menus that earth is no longer the safe haven many first world countries assume it is. People gain magnificent powers. Mages are awesome. Humanity, Fuck Yeah, and all that. I've read the webnovels, seen the tropes. Nothing prepared me for reality. If this works as it should, then you'll be reading this sometime before everything changed. I hope this gives you a chance once it does. As someone on the other side of time, you cannot stop it, but you can fight it. If the world knows whats coming, and people indeed listen, this is game, set, and match.
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Tasked by a mysterious voice to journey to the centre of Hell, Jayson and his companions battle through the floating island of Pandaemonia in the infamous Hellbreaker tournament. But with dark secrets haunting them, and the stirrings of war between Heaven and Hell, their bloodthirsty competitors are the least of their worries. If you like shonen anime, I hope you'll love this story. If you enjoy reading Breaking Hell and wish to support: You can REVIEW the story right here on RoyalRoad. You can VOTE for Breaking Hell at TopWebFiction. (v cont'd below v) You can SUPPORT the author via Patreon. You can FOLLOW the story on Wordpress for advance chapters, art, and more. You can WATCH the author's art streams on Twitch. Thanks! ~david Jayson Agonistes: Breaking Hell is a serial action fantasy by David Whitechapel which follows a team of adventurers as they face off against demons, magic and monsters on the floating islands of TreArkh.
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